High Quality Pure Analogue 180g Vinyl 2LP!Mastered from the Original Masters of Universal Music!Pressed at Pallas!Elly Ney was a German romantic pianist who specialized in performing music by Beethoven. Born in Dusseldorf, her grandmonther introduced her to the works of Beethoven and supported her studies of the piano. She later traveled the world including the USA, playing in carnegie Hall in New York City.Her face is unforgettable; here, surely is wisdom and a matured sense of values such as we seldom find, and that view is supported by her playing. In the final movement of the Moonlight does she perhaps overdo the little hesitations on the barlines? Is the middle movement too slow? Perhaps, but after all it is marked allegretto, and this slow tempo, which may well be right, grows on you... She is best in the variations, where her playing takes on an almost mesmeric quality. The finale is not polished, but effective enough, and, like Browning, she makes the long repeat in the second half, a repeat which Fischer says is always disregarded. In her hands the repeat seems meaningful and well worth making.-Gramophone
High Quality Pure Analogue 180g Vinyl 2LP!Mastered from the Original Masters of Universal Music!Pressed at Pallas!Elly Ney was a German romantic pianist who specialized in performing music by Beethoven. Born in Dusseldorf, her grandmonther introduced her to the works of Beethoven and supported her studies of the piano. She later traveled the world including the USA, playing in carnegie Hall in New York City.Her face is unforgettable; here, surely is wisdom and a matured sense of values such as we seldom find, and that view is supported by her playing. In the final movement of the Moonlight does she perhaps overdo the little hesitations on the barlines? Is the middle movement too slow? Perhaps, but after all it is marked allegretto, and this slow tempo, which may well be right, grows on you... She is best in the variations, where her playing takes on an almost mesmeric quality. The finale is not polished, but effective enough, and, like Browning, she makes the long repeat in the second half, a repeat which Fischer says is always disregarded. In her hands the repeat seems meaningful and well worth making.-Gramophone
8808678161755

Details

Format: Vinyl
Label: ANALOGPHONIC
Rel. Date: 06/19/2020
UPC: 8808678161755

Beethoven Piano Sonatas Nos. 8, 14, 23, 31 [180 Gram]
Artist: Elly Ney
Format: Vinyl
New: Not in stock
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Available Formats and Editions

DISC: 1

1. Klaviersonate NR. 14 Cis-Moll Op. 27 NR. 2 (Mondschein-Sonate)
2. Satz: Adagio Sostenuto
3. Satz: Allegretto
4. Satz: Presto Agitato
5. Klaviersonate NR. 23 F-Moll Op. 57 (Appassionata)
6. Satz: Allegro Assai
7. Satz: Andante Con Moto
8. Satz: Allegro Ma Non Troppo
9. Klaviersonate NR. 8 C-Moll Op. 13 (Pathetique) 1
10. Satz: Grave-Allegro Di Molto E Con Brio 1
11. Satz: Andante Cantabile 1
12. Satz: Rondo-Allegro 1
13. Klaviersonate NR. 31 As-Dur Op. 110 1
14. Satz: Moderato Cantabile, Molto Expressivo 1
15. Satz: Allegro Molto 1
16. Satz: Adagio, Ma Non Troppo-Fuga. Adagio Ma Non Troppo

More Info:

High Quality Pure Analogue 180g Vinyl 2LP!Mastered from the Original Masters of Universal Music!Pressed at Pallas!Elly Ney was a German romantic pianist who specialized in performing music by Beethoven. Born in Dusseldorf, her grandmonther introduced her to the works of Beethoven and supported her studies of the piano. She later traveled the world including the USA, playing in carnegie Hall in New York City.Her face is unforgettable; here, surely is wisdom and a matured sense of values such as we seldom find, and that view is supported by her playing. In the final movement of the Moonlight does she perhaps overdo the little hesitations on the barlines? Is the middle movement too slow? Perhaps, but after all it is marked allegretto, and this slow tempo, which may well be right, grows on you... She is best in the variations, where her playing takes on an almost mesmeric quality. The finale is not polished, but effective enough, and, like Browning, she makes the long repeat in the second half, a repeat which Fischer says is always disregarded. In her hands the repeat seems meaningful and well worth making.-Gramophone