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PASSIONTIDE - A Lenten Cantata. Simon Mold's new setting is a triumph drawing deeply on the traditions of baroque Passion settings as well as such works as Stainer's 'The Crucifixion' and Maunder's 'Olivet to Calvary', this work is a masterpiece which, if there is any justice in the world, will be widely sung, to be appreciated by choirs, audiences and congregations. A strikingly accessible work that explores a range of emotions with a sure feel for word-setting and an irrepressible tunefulness, while nonetheless capable of many passages of gravitas, poignancy and lingering beauty. Highlights include dramatic moments in the Garden of Gethsemane and before Pilate, a searching setting of the Reproaches for choir and soloist, the heart-rending farewell duet for Mary and Jesus and a final scene that taps into the feelings of believer and non-believer alike.
PASSIONTIDE - A Lenten Cantata. Simon Mold's new setting is a triumph drawing deeply on the traditions of baroque Passion settings as well as such works as Stainer's 'The Crucifixion' and Maunder's 'Olivet to Calvary', this work is a masterpiece which, if there is any justice in the world, will be widely sung, to be appreciated by choirs, audiences and congregations. A strikingly accessible work that explores a range of emotions with a sure feel for word-setting and an irrepressible tunefulness, while nonetheless capable of many passages of gravitas, poignancy and lingering beauty. Highlights include dramatic moments in the Garden of Gethsemane and before Pilate, a searching setting of the Reproaches for choir and soloist, the heart-rending farewell duet for Mary and Jesus and a final scene that taps into the feelings of believer and non-believer alike.
809730523823

Details

Format: CD
Label: DIVINE ART
Rel. Date: 02/10/2023
UPC: 809730523823

More Info:

PASSIONTIDE - A Lenten Cantata. Simon Mold's new setting is a triumph drawing deeply on the traditions of baroque Passion settings as well as such works as Stainer's 'The Crucifixion' and Maunder's 'Olivet to Calvary', this work is a masterpiece which, if there is any justice in the world, will be widely sung, to be appreciated by choirs, audiences and congregations. A strikingly accessible work that explores a range of emotions with a sure feel for word-setting and an irrepressible tunefulness, while nonetheless capable of many passages of gravitas, poignancy and lingering beauty. Highlights include dramatic moments in the Garden of Gethsemane and before Pilate, a searching setting of the Reproaches for choir and soloist, the heart-rending farewell duet for Mary and Jesus and a final scene that taps into the feelings of believer and non-believer alike.
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