The golden age of Italian music took place in Venice during the baroque era. Here met the most important composers and performers. Marianne Piketty and Le Concert Ideal revive the profusion of styles, genres and influences that, though evolving in quite opposite directions, were often brought together in this rich period of creation. With the reconstruction of Vivaldi's concerto per Chiaretta e Teresa and unheard diminutions by Olivier Fourés of Vivaldi's sinfonia La Verità in Cimento or Strozzi's Lagrime mie, Impressions vénitiennes offers a picture all in contrasts, shifting, fleeting, of the Serenissima.
The golden age of Italian music took place in Venice during the baroque era. Here met the most important composers and performers. Marianne Piketty and Le Concert Ideal revive the profusion of styles, genres and influences that, though evolving in quite opposite directions, were often brought together in this rich period of creation. With the reconstruction of Vivaldi's concerto per Chiaretta e Teresa and unheard diminutions by Olivier Fourés of Vivaldi's sinfonia La Verità in Cimento or Strozzi's Lagrime mie, Impressions vénitiennes offers a picture all in contrasts, shifting, fleeting, of the Serenissima.
5400863050115

Details

Format: CD
Label: EVIDENCE
Rel. Date: 09/03/2021
UPC: 5400863050115

Impressions Venitiennes
Artist: Marianne Piketty / Le Concert Ideal
Format: CD
New: Available $20.99
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Available Formats and Editions

DISC: 1

1. Vivaldi: Sinfonia for strings and basso continuo "La Verità in Cimento" in G major, RV 739 I. Allegro
2. Vivaldi: Sinfonia for strings and basso continuo "La Verità in Cimento" in G major, RV 739 II. Andante
3. Vivaldi: Sinfonia for strings and basso continuo "La Verità in Cimento" in G major, RV 739 III. Allegro
4. Strozzi: Lagrime mie
5. Vivaldi: Violin concerto in B minor, RV 390 I. Andante molto
6. Vivaldi: Violin concerto in B minor, RV 390 II. Larghetto
7. Vivaldi: Violin concerto in B minor, RV 390 III. Allegro
8. Vivaldi: Sonata a Quattro "al Santo Sepolcro" in E flat major, RV 130 I. Largo molto
9. Vivaldi: Sonata a Quattro "al Santo Sepolcro" in E flat major, RV 130 II. Allegro mà poco
10. Turini: Sonata a tre "Il Corisino"
11. Vivaldi: Concerto for violin and cello in G major "per Chiaretta e Teresa", RV 814 I. Allegro
12. Vivaldi: Concerto for violin and cello in G major "per Chiareta e Teresa", RV 814 II. Larghetto e Siolté
13. Vivaldi: Concerto for violin and cello in G major "per Chiareta e Teresa", RV 814 III. Allegro
14. Albinoni: Sinfonia in G minor Si 7 I. Allegro
15. Albinoni: Sinfonia in G minor Si 7 II. Larghetto
16. Albinoni: Sinfonia in G minor Si 7 III. Allegro
17. Ziani: Sinfonia in C minor "del Sepolcro"
18. Gallo: Allegro non molto (from Sonata no.2)
19. Vivaldi: Grave (from Concerto in D major, RV 562)
20. Vivaldi: Concerto for 4 violins in B flat major, RV 553 I. Allegro
21. Vivaldi: Concerto for 4 violins in B flat major, RV 553 II. Largo
22. Vivaldi: Concerto for 4 violins in B flat major, RV 553 III. Allegro
23. Vivaldi: Concerto for strings in G minor, RV 157 I. Allegro
24. Vivaldi: Concerto for strings in G minor, RV 157 II. Largo
25. Vivaldi: Concerto for strings in G minor, RV 157 III. Allegro
26. Monteverdi:Basso di Ciaccona (L'incoronazione di Poppea I, 6)

More Info:

The golden age of Italian music took place in Venice during the baroque era. Here met the most important composers and performers. Marianne Piketty and Le Concert Ideal revive the profusion of styles, genres and influences that, though evolving in quite opposite directions, were often brought together in this rich period of creation. With the reconstruction of Vivaldi's concerto per Chiaretta e Teresa and unheard diminutions by Olivier Fourés of Vivaldi's sinfonia La Verità in Cimento or Strozzi's Lagrime mie, Impressions vénitiennes offers a picture all in contrasts, shifting, fleeting, of the Serenissima.