The composing career of Simon Bainbridge (born in London in 1952) is spanned by the four chamber works in this album, all of them cast as single narrative spans. The First String Quartet, written when it's composer was not yet twenty, blends lyricism and pointillism, rather as if it were recasting abstract poetry in sound; and the recent Second offers a kaleidoscopic tableau of color and nervous energy inspired by visual art. In his Cheltenham Fragments, as the title suggests, Bainbridge uses mosaic technique to build up textures and thematic outlines. And the long lines of the virtuosic Clarinet Quintet generate fleetfooted whirlwinds as they unfold. Linda Merrick and the Kreutzer Quartet worked closely with the composer on the preparation of these recordings.
The composing career of Simon Bainbridge (born in London in 1952) is spanned by the four chamber works in this album, all of them cast as single narrative spans. The First String Quartet, written when it's composer was not yet twenty, blends lyricism and pointillism, rather as if it were recasting abstract poetry in sound; and the recent Second offers a kaleidoscopic tableau of color and nervous energy inspired by visual art. In his Cheltenham Fragments, as the title suggests, Bainbridge uses mosaic technique to build up textures and thematic outlines. And the long lines of the virtuosic Clarinet Quintet generate fleetfooted whirlwinds as they unfold. Linda Merrick and the Kreutzer Quartet worked closely with the composer on the preparation of these recordings.
5060113445735

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Format: CD
Label: TOCCATA
Rel. Date: 02/05/2021
UPC: 5060113445735

Chamber Music
Artist: Bainbridge / Merrick / Kreutzer Quartet
Format: CD
New: Available 18.00
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The composing career of Simon Bainbridge (born in London in 1952) is spanned by the four chamber works in this album, all of them cast as single narrative spans. The First String Quartet, written when it's composer was not yet twenty, blends lyricism and pointillism, rather as if it were recasting abstract poetry in sound; and the recent Second offers a kaleidoscopic tableau of color and nervous energy inspired by visual art. In his Cheltenham Fragments, as the title suggests, Bainbridge uses mosaic technique to build up textures and thematic outlines. And the long lines of the virtuosic Clarinet Quintet generate fleetfooted whirlwinds as they unfold. Linda Merrick and the Kreutzer Quartet worked closely with the composer on the preparation of these recordings.