For the first time in franchise history the Washington Capitals are Stanley Cup Champions. NHL Original Productions provides an all-access pass behind the glass, on the bench and into the locker room as the Capitals embark on an unforgettable journey through the regular season and Stanley Cup Playoffs. Led by captain and Conn Smythe Trophy winner Alex Ovechkin, All-Star goaltender Braden Holtby and dynamic center Evgeny Kuznetsov, Washington defeated the Columbus Blue Jackets, the defending Stanley Cup Champion Pittsburgh Penguins, the Tampa Bay Lightning and the Cinderella expansion team the Vegas Golden Knights en route to hoisting the most coveted trophy in sports the Stanley Cup. Exclusive interviews with players, coaches and Capitals legends provide an in-depth narrative of Washington s first championship. Experience this victorious season through the voices who ended a 44-year Stanley Cup drought in the nation s capital. The Stanley Cup finally has arrived in D.C.! Relive every dramatic moment of the 2018 Stanley Cup Champion Washington Capitals. Bonus Features: Extended Parade Celebration Extended On-Ice Celebration Extended Locker Room Celebration Round 1 Wireless Feature Round 2 Wireless Feature Round 3 Wireless Feature
Rise Against’s The Black Market hit No. 1 on the Alternative, Top Rock and Hard Rock albums charts in the U.S. and topped album charts in Argentina, Brazil, Canada and Germany. The follow-up album, WOLVES, debuted at No. 1 on Billboard’s Alternative, Top Rock and Hard Rock albums charts. Lead single “The Violence” topped the Mediabase Active Rock chart and “House On Fire” is currently in the Top 10 and climbing.
Melodic, hardcore Rise Against follow up their eighth studio album, WOLVES, with a career spanning and genre defying release, that’s a new addition to their already storied career. The Ghost Note Symphonies, Vol I finds the band reimagining some of the biggest songs of their career with intimate performances and backed with strings.
Underworld and Iggy Pop announce Teatime Dub Encounters due for release on July 27th via Caroline. The 4 track EP is the result of a few clandestine hotel room recording sessions that began a few weeks after Underworld and Iggy Pop each released their last albums on the same day (3/18/16). It is neither historical nor a tribute to past work; it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.
With over 225,000 physical albums sold, millions of streams, and hundreds of sell-out live performances nationwide, Cody Jinks’ highly anticipated new album, Lifers, marks his debut for Rounder Records and the next chapter in a book of grass-roots country music superstardom. In the two years since he released his last album, (which made its impressive debut on the Billboard Country Albums chart at #4), Jinks and his band have relentlessly toured and cultivated an immense and loyal following among enthusiastic music fans who crave the kind of authentic country music on which he was nurtured. The title track and theme of the album celebrates the resilience of the human spirit and pays tribute to the often overlooked “lifers, the struggling strivers, working long after the day is done…the last of the great generation.”
Proudly carrying the torch that artists like Zack de la Rocha, Woody Guthrie, Chuck D, System of a Down, and Kendrick Lamar lit up with their politically charged lyrics, the talented singer, rapper, poet, illustrator, author, and activist OTEP SHAMAYA has proven to be one of the prolific, loudest and most sincere voices in protest music! On KULT 45, the powerhouse eighth studio album, OTEP expertly fuses aggressive and pervasive metal molotovs, imbued with eruptive rapcore, that captivate the mind and body, not only with lyrically-embraced social enlightenment, but with poignant messages regarding the current political and cultural conditions in America. On hymns such as 'Halt Right' and 'Molotov', OTEP thrashes out with brute force and skillful pun, clearly calling out against the return of odiferous hate groups. With the more emotionally charged 'Shelter In Place’ OTEP speaks out against school shootings and gun violence while also commending the strength and courage of survivors and the passion and devotion of the Parkland high school students who organized and set forth the MARCH FOR OUR LIVES movement. Later the album segues to a beautiful ballad called BRAVE that seductively beckons listeners to abandon their comfort zones and go after their dreams. "Things needed to be said and songs needed to be written without fear so to bravely reflect the times." Shamaya explains that KULT 45 is the most authentic album OTEP has ever released. The album closes out with a cover of the classic song "Wake Up" - a tribute to the legends, RAGE AGAINST THE MACHINE.
Joseph returns with 7-track vinyl EP Stay Awake via ATO Records with 3 new songs “All,” a demo of “50, 60, 80,” & “Stay Awake” plus 2 older songs reimagined & covers of Tears For Fears “Everybody Wants To Rule The World” & Rolling Stones “Moonlight Mile.” Natalie Schepman who founded Joseph w/her 2 sisters Allison & Meegan Closner says the EP is “a small collection of songs we put together to help ourselves deal with heaviness. It's a bit of telling it like it is. It's a bit of a ‘keep going.’"
The seven-track release from the rapper was streamed live from Wyoming and featured guest appearances from 070 Shake, DeJ Loaf, Jeremih, Kid Cudi, John Legend, Nicki Minaj, PARTYNEXTDOOR, Ty Dolla $ign, Valee and Charlie Wilson.
Influential hard rock legend, reality TV star, Broadway alumni, horror movie director, radio host – Dee Snider, the face and voice of the legendary Twisted Sister, has a career many would kill for. And yet the singer`s thirst is far from being quenched – his thirst for METAL! Dee Snider has inked a deal with Napalm Records for his upcoming solo album For The Love Of Metal produced by Hatebreed vocalist Jamey Jasta and featuring contributions from Howard Jones (ex-Killswitch Engage), Mark Morton (Lamb Of God), Alissa White-Gluz (Arch Enemy), Joel Grind and Nick Bellmore (Toxic Holocaust) and Charlie Bellmore (Kingdom Of Sorrow). Snider comments about For The Love Of Metal: "This is a really incredibly exciting album that I did not expect to make, especially at this point in my life. Jamey Jasta challenged me to make a contemporary rock record. … and I rose to the challenge!“ The result is a full-on anthemic metal album indulging in modern heaviness without neglecting Snider`s Twisted Sister roots. One of the most powerful voices in rock & heavy metal is back...and more ferocious than ever!
ShadowParty are a band united by a fairly unusual circumstance, each member is a latter-day addition to a huge band, and here they’ve combined as synthpop’s answer to The Avengers. The nucleus of the group formed when Josh Hager and Tom Chapman met in Boston, Massachusetts. Josh is a former member of The Rentals who currently plays guitar and keyboards in Devo. Tom Chapman is the former bass player of Bad Lieutenant who followed frontman Bernard Sumner to New Order in 2011 when the band reunited for a series of charity gigs. Completing the group are Phil Cunningham, Marion founding member and New Order’s guitarist since 2002, and drummer Jeff Friedl, who plays with Devo. Newly signed to Mute, ShadowParty’s debut – recorded in Boston, LA, Manchester and Macclesfield – is an album that nods to those groups but exists in its own right entirely, a synth-pop album with guitars and strings, and guests including the incomparable vocalist Denise Johnson (Primal Scream, A Certain Ratio) and The Verve’s revered guitarist Nick McCabe. It’s the sound of a blast. ShadowParty burst through your speakers; pulsing electronics get swept away with lush orchestrations, bold ‘80s-fused beats get carved up by haunting guitars and vocals tower through each moment, whispering sweet harmonies and unspoken despair. ShadowParty will be released on CD, LP, and digitally on July 27, 2018 via Mute.
The self-produced Out Of The Blues finds national treasure Boz Scaggs applying his iconic voice and gritty guitar skills to a set of vintage classics as well as four originals. For the occasion, the legendary singer/songwriter/guitarist assembled a star-studded studio band including such prestigious players as guitarists Doyle Bramhall II, Ray Parker Jr. and Charlie Sexton, bassist Willie Weeks, drummer Jim Keltner and keyboardist Jim Cox, as well as longtime friend Jack Walroth on guitar, harmonica and percussion.
This new compilation consists of previously released live recordings from 1962 - 1966, most of them rare and hard to find. Disc 1 1. Blowin' In The Wind [April 16, 1962 - Gerde's Folk City, New York City, New York] 2. Corrina, Corrina [April 16, 1962 - Gerde's Folk City, New York City, New York] 3. John Brown [April 12, 1963 - Town Hall, New York City, New York] 4. Don't Think Twice, It's All Right [April 12, 1963 - Town Hall, New York City, New York] 5. Bob Dylan's Dream [April 12, 1963 - Town Hall, New York City, New York] 6. Seven Curses [April 12, 1963 - Town Hall, New York City, New York] 7. Boots of Spanish Leather [April 12, 1963 - Town Hall, New York City, New York] 8. Masters of War [October 26, 1963 - Carnegie Hall, New York City, New York] 9. The Lonesome Death of Hattie Carroll [October 26, 1963 - Carnegie Hall, New York City, New York] 10. When The Ship Comes In [August 28, 1963 - March on Washington, Washington, D.C.] 11. The Times They Are A-Changin' [May 17, 1964 - Royal Festival Hall, London, England] 12. Girl From The North Country [May 17, 1964 - Royal Festival Hall, London, England] 13. Mr. Tambourine Man [May 17, 1964 - Royal Festival Hall, London, England] 14. It Ain't Me, Babe [May 17, 1964 - Royal Festival Hall, London, England] 15. To Ramona [July 26, 1964 - Newport Folk Festival, Freebody Park, Newport, Rhode Island] 16. Chimes of Freedom [May 17, 1964 -Royal Festival Hall, London, England] Disc 2 1. One Too Many Mornings [June 1, 1965 - BBC Studios, London, England] 2. It's Alright, Ma (I'm Only Bleeding) [April 30, 1965 - The Oval, City Hall, Sheffield, England] 3. Love Minus Zero/No Limit [May 1, 1965 - The Odeon, Liverpool, England] 4. Gates of Eden [May 7, 1965 - Free Trade Hall, Manchester, England] 5. It's All Over Now, Baby Blue [May 1, 1965 - The Odeon, Liverpool, England] 6. She Belongs to Me [May 10, 1965 - Royal Albert Hall, London, England] 7. Maggie's Farm [September 3, 1965 - Hollywood Bowl, Los Angeles, California] 8. It Takes A Lot To Laugh, It Takes A Train to Cry [July 25, 1965 - Newport Folk Festival, Freebody Park, Newport, Rhode Island] 9. Desolation Row [April 13, 1966 - TCN 9 TV, Sydney, Australia] 10. Baby, Let Me Follow You Down [May 11, 1966 - Capitol Theatre, Cardiff, Wales] 11. I Don't Believe You (She Acts Like We Never Have Met) [May 11, 1966 - Capitol Theatre, Cardiff, Wales] 12. Ballad of a Thin Man [May 20, 1966 - ABC Theatre, Edinburgh, Scotland] 13. Visions of Johanna [May 6, 1966 - ABC Theatre, Belfast, Northern Ireland]
In every artist’s career, certain albums stand out as a significant piece of their soul. For Kenny Chesney, Songs for the Saints is that album. Co-produced with Buddy Cannon, the 12 tracks mark a deep dive into “the places that save you.”“So much has happened since I went off the road in 2016,” Chesney explains. “Andallof it, in one way or another, has ended up on this record. It’s special to me because of what it says – to me, and for me – about life, the world around us, how fragile it all can be and about somehow still finding the best parts of you, and moving towards them.”Due July 27,Songs for the Saints marks the 8-time Entertainer of the Year’s first album on Blue Chair/Warner Bros. Nashville. In many ways, this new home for his work mirrors the things that inspired this album.“Leaving a place where I’d spent my whole career was both scary and exciting,” Chesney concedes. “There’s that rush of not knowing anything about how this company works, and digging in. But there’s also a special thrill of being around people who truly understand what you’re doing and who are excited to be part of this music. It’s inspiring in all new ways when you have people match your own passion for the music.”Recorded over the last several months, Chesney had a notion about what his record was going to be long before it galvanized intoSongs for the Saints. “I was at a turning point in my life on so many levels, and then Hurricane Irma hit the Virgin Islands.”“But this album isn’t about St. John, so much as it’s about what happened toSt. John and all those islands you didn’t see on the news,” continues the man called “The People’s Superstar” byThe Los Angeles Times.“To just see the devastation and what that does to people is one thing, but then there’s this courage and resilience people find…”“This is not a literal record,” he cautions, “but it is an album about the refuges we all have, how temporary life is and the way we navigate to better places, dig in and face the destruction. And sometimes, we learn to own our wild hearts in the process.”Beyond the euphoric “Get Along,” the banjo and people-positive message tempo track hovering outside the Top 10, Chesney wrote or co-write five tracks. As with any release from the East Tennessee songwriter/superstar, there are songwriters getting their first cuts, surprise collaborations, an obscure jewel and the emotional fabric that makes the No Shoes Nation a place rich with heart, tenacity and the will to embrace life on its terms.“I feel like Iknowwhat this album’s supposed to be, and I know how much it means to me,” he says. “I wanted to get it just right, before we set a release date… and I think we’ve got it. I’m just glad we’ll have it out in time for me to play some of these songs this summer before theTrip Around the Sun Touris over.”
• First solo album in 21 years from the veteran musician and songwriter. • Holsapple co-founded The dB’s & worked with R.E.M. on Green tour and writing/recording of Out Of Time. • Contains 13 tracks + three bonus tracks. One would think being co founder of one of the world’s most beloved power pop bands, The dB’s, would be enough for one person. But, Peter Holsapple just had to tour with R.E.M. and Hootie & The Blowfish, join Continental Drifters, and collaborate with acts like The Troggs, The Julianna Hatfield Three, Better Than Ezra, and so many more. Perhaps that’s why he’s releasing his first solo album in 21 years, he’s been a busy, busy man. And, as Peter himself says “And it’s really ‘solo’, too! I played and sang 99 44/100 ths of the notes on this record.” Game Day contains 13 new tracks, a bonus track, and two “super bonus tracks”—Holsapple’s critically acclaimed single “Don’t Mention The War” / ”Cinderella Style,” originally released in 2017. Game Day is prime Holsapple, whose recording career spans nearly 5 decades. It contains all the hooks, clever lyrics, and deft instrumentation one would expect. As he says in the packaging, “Today, with all of the hard competition in the music business, it’s almost impossible to come up with anything totally original. So, I haven’t. But I had a lot of fun making Game Day, and I hope it comes through when you hear it.”
From filmmaker Steven Spielberg comes the science fiction action adventure “Ready Player One,” based on Ernest Cline’s estseller of the same name. The film is set in 2045, with the world on the brink of chaos and collapse. But the people have found salvation in the OASIS, an expansive virtual reality universe created by the brilliant and eccentric James Halliday (Mark Rylance). When Halliday dies, he leaves his immense fortune to the first person to find a digital Easter egg he has hidden somewhere in the OASIS, sparking a contest that grips the entire world. When an unlikely young hero named Wade Watts (Tye Sheridan) decides to join the contest, he is hurled into a reakneck, realitybending treasure hunt through a fantastical universe of mystery, discovery and danger
LIMITED EDITION COLLECTOR'S SET INCLUDES BLU-RAY + DVD + CD + 7'' COLORED VINYL RECORD
Welcome to the world of the Sunset Society, a secret organization in Hollywood where parties are held, musicians gather and blood flows freely! Ace (Lemmy from Motorhead) is the head vampire in charge who likes to keep the fun going while keeping the profile low. However, due to a few rebels in his midst, humans are starting to catch on to his vampire ways. In an attempt to keep a lid on his organization, Ace enlists the help of Frankie (Ron Jeremy), Sophia (Phoebe Dollar), and Mr. Cross (Robert Donavan) to stop the leak of information. An innocent woman is turned into a vampire without permission and she is starting to cause problems. A streetwalker has recorded a DVD of real vampire activity on the Sunset Strip and is now selling the disc on the street to the highest bidder. And Dagger, a disgruntled vampire, wants to try to live as a human again no matter what the cost. Everyone is now in danger as passions get out of control, bodies are invaded and loyalties are put to the limit. Between blood orgies and magic spells, Ace has his hands full but can even he stop the secret of his underground society from getting out to the public at large and who will survive the wrath of the unknown vengeful stranger now stalking all the vampires for revenge?! Nobody is quite what they seem when the sun goes down in this land of dreams and nightmares. SUNSET SOCIETY - is a fresh take on the vampire lore. Loaded with rocking songs, sexy girls, and Lemmy's final starring performance, get ready for a horrific and bloody adventure where music, animation, and legends come together and live forever! Bonus features include: Includes 'Etched' 7inch vinyl single, CD audio soundtrack, standard definition DVD in package!
This special edition release features legendary Motorhead frontman Lemmy Kilmister as Ace, the head vampire who stalks the streets of Hollywood with his brood of fellow night crawlers played in the film by Tracii Guns (of L.A. Guns), Dizzy Reed (of Guns N Roses), Ron Jeremy and Steve-O of Jackass. This special film is being released in a deluxe Collector s Edition package that features both a Blu-ray and DVD of the film plus a CD soundtrack featuring music by Lemmy, Stephen Pearcy (of Ratt), Leather Strip, Dazed Morrow, Jurgen Engler (from Die Krupps), Jyrki 69 (of The 69 Eyes) and more. Each of these limited edition packages comes with a sequentially-numbered Certificates of Authenticity and a 7'' vinyl available in colored vinyl!
The seven-track release from the rapper was streamed live from Wyoming and featured guest appearances from 070 Shake, DeJ Loaf, Jeremih, Kid Cudi, John Legend, Nicki Minaj, PARTYNEXTDOOR, Ty Dolla $ign, Valee and Charlie Wilson.
Ty Segall and White Fence are AS ONE again. Six years after their fun favorite "Hair" collaboration, and jeez, almost four years after Ty produced the last White Fence record "For the Recently Found Innocent", they're back at it. But the second time around, it's no Hair 2 - Joy is its own reward. Tim Presley and Ty take it up a notch, with fifteen wild tracks that share space in a effortless fashion, dispersing doses of the fabled vintage obsessions, but threading them together instead with their own sound of today. Joy, indeed!
Home and the people who make it have captivated Lori McKenna for years. Over the last three decades, as she became a wife and mother of five, she has also emerged as one of the most respected, prolific singer-songwriters in popular music. Her 2016 release The Bird and the Rifle netted three Grammy nominations, along with Americana Music Association nods all firsts for McKenna as an artist. Then, she made history: In 2016, she became the first woman ever to win the Country Music Association s Song of the Year two years in a row thanks to co-writing Little Big Town s Girl Crush and penning Tim McGraw s no. 1 Humble and Kind solo. Both songs also clinched back-to-back Grammy wins for Best Country Song. In 2017, she became the Academy of Country Music s first female Songwriter of the Year. The Tree is her much-anticipated eleventh studio album. Produced by Dave Cobb, The Tree takes one of McKenna s signature themes family and builds a tapestry of experiences she has lived and overheard, been told and dreamed up, to create a stunning ode to life s defining relationships.
HIVE MIND is the new album from THE INTERNET, and is the follow up to 2015's critically acclaimed and Grammy nominated album Ego Death. With this new album, THE INTERNET present enormous growth in their creative chemistry and prove they are a five-person force whose singular talents created one phenomenal whole. The album is written and produced entirely by THE INTERNET - Syd (vocalist/songwriter), Matt Martians (producer), Steve Lacy (guitarist/vocalist/songwriter), Patrick Paige II (songwriter/bassist), and Christopher Smith (songwriter/drummer). And it is with a sense of togetherness - not just for them, but for everyone - that the band chose to highlight as a major theme for Hive Mind. "After making a few songs we realized that we really want to use this album to live by example and promote camaraderie amongst young black people," Syd reveals. "We realized that we're the only band of our kind. And we want to really solidify ourselves as that, as the best." With the chaos of the current world considered, all of THE INTERNET wanted to champion good feelings and the joy of following your heart and passions, in addition to using their own positive relationships and experiences to inspire their community. The band unearthed an even deeper purpose as they collaborated on HIVE MIND. The result is not just one of the greatest records in the band s already phenomenal catalogue, but is easily one of the best albums of 2018, from five amazing people already leaving an indelible mark on pop music.
NAV to release CD of new album, RECKLESS, via XO Records / Republic Records on 7/20. RECKLESS includes his platinum-certified single 'Wanted You (feat. Lil Uzi Vert)' in addition to his previously released track 'Freshman List.' NAV supported the album with an extensive headlining tour. His current single 'Champion (feat. Travis Scott)' will impact Urban and Rhythmic radio on 6/26.
Punch Brothers return with All Ashore, their first album since 2015's The Phosphorescent Blues. The band wrote all nine songs on the album, which they self-produced and recorded in Los Angeles. "It's a meditation on committed relationships in the present day," says Chris Thile, "particularly in the present climate."
77:78 is the new project from Aaron Fletcher and Tim Parkin, card carrying members of the musical kaleidoscope that is The Bees. Crate diggers and music nuts, 77:78's music possesses snatches of the fried, post-sandbox loveliness of The Beach Boys Smiley Smile, the clatter of King Tubby's junkyard dub, the childlike playfulness of early Syd Barret and a gentle seabreeze of sublime West Coast harmonies. Their debut album, Jellies, sounds like staying up late with a friend who's playing you all the best bits of their mind-blowing record.
1,2 Kung Fu is the debut album from Boy Azooga, the psych-flecked musical vehicle for Cardiff's Davey Newington. This multifarious musical mission takes inspiration from the likes of Sly & The Family Stone, Caribou, Black Sabbath, Outkast, Van McCoy, Ty Segall and The Beastie Boys. Boy Azooga are a reverent ensemble churning out rave-tinged rock that hints at a progeny of both Can and the Happy Mondays. Limited Edition Pink Vinyl
Meshing explosive indie rock with the raw passion of punk and the melodic sophistication of pop, Ume are an acclaimed Austin-based band who've earned a following for their powerful live performances and clever music. They have played major festivals like ACL and Rock En Seine and appeared on Anthony Bourdain’s No Reservations. Other Nature was recorded with Grammy-winning producer Stuart Sikes. Single will be worked at college, AAA/non-comm radio. US tour dates this summer. LP is standard weight, translucent green vinyl.
Single LP on black vinyl in gatefold sleeve. Includes coupon for full download.
You may not be able to see the gorgeous landscapes behind Baby Grand, Stuart McLamb’s fourth record as The Love Language, but they’re so essential to the picture you’ll feel them in every note. Started in, of all places, a cavernous Virginia hammock factory, fragmentary demos came alive when splashed by sunshine during a move across the country to California, where the album was completed. “It was something just about being in a new city, and a new light,” McLamb says, “and reopening the sessions, and this demo that I thought was a throwaway, suddenly I’m really feeling it….” You can hear the freedom kick in when the backwoods country shuffle of “Castle in the Sky” explodes into a full-on aughts anthem, equal parts outstretched arms and pumped fists.
The band's ninth-studio album, Among the Ghosts, is their first for noted Nashville indie label Thirty Tigers. It was recorded and co-produced with Grammy-winning engineer/producer and Memphis native Matt ross-Spang (Jason Isbell, Margo Price, Drive by Truckers) at the historic Sam Phillips Recording Service/Sun Studio. Recorded primarily as a five-piece, Among the Ghosts eschews the Stax-inspired horns and Jerry Lee Lewis-style boogie piano featured in some of the band's past recordings for a streamlined rock & roll sound that pays homage to their seminal influences as it seeks to push that legacy into the future. For a band who carried the torch of the alt-country movement back in the 90's and helped pave the way for what is now called Americana, Lucero have re-discovered what inspired them in the first place. The sound is more their own and at the same time not exactly like anything they've done before. This is a band settling into their craft. The 10-song disc's title is both a tribute to the spirits which road the streets of their fabled city, as well as the hard road the determinedly independent band set out on 20 years ago.
'It's all rock & roll -- no golf!' is how acclaimed singer/songwriter/violinist Amanda Shires describes her electrifying firth album, To The Sunset. She's borrowed a lyric from the effervescent track 'Break Out the Champagne,' one of ten deftly crafted songs that comprise her powerful new recording. The Texas-born road warrior, new mom, and recently minted MFA in creative writing has mined a range of musical influences to revel an Amanda Shires many didn't know existed. 'Isn't it refreshing?' Shires asks. Indeed. Distorted electric guitars, effects pedals, swirling keys and synths, and rockin' rhythms certainly suit Shire's visceral songcraft and lilting soprano.
British rock and rollers The Temperance Movement have returned with news of a brand new studio album to be released in early 2018, supported by a European headlining tour. Following a whirlwind few years in which they released two Top 20 albums, toured around the world and shared the stage with such rock megastars as The Rolling Stones, The Temperance Movement are finally back, having been hard at work behind the scenes preparing for an even bigger year in 2018. The band's eagerly-anticipated new album, 'A Deeper Cut', features 12 brand new songs which draw on the band's recent experiences and showcase their ever-improving songwriting abilities. Following on from the unprecedented success of the debut album (2013) that stormed the UK Album Charts and the follow up record 'White Bear' which landed at #1 in the UK Rock albums chart. "A Deeper Cut" is without doubt the band's finest output to date. A Britpop swagger and mod, rock n roll vibe throughout, The Temperance Movement might have just written the greatest British album of the last decade.
On Golden Age Houndmouth takes a fearless approach to production by enlisting the unlikely team of Jonathan Rado and Shawn Everett, who employed some fairly unconventional recording techniques in the studio. The end result is enthralling, inventive and even more melodic than anything they've previously released.
Four years after releasing their Merge debut, Frozen Letter, Spider Bags return with an LP that ascends to new levels of aural punch and perspective. The years that elapsed between records were crucial in enabling that progress to take place.
Recorded in Memphis at Bunker Audio by Andrew McCalla (who also engineered 2012’s Shake My Head), Someday Everything Will Be Fine leverages the limitations and glory of the Tascam 388, a vintage recording/mixing device that’s acquired a mythos via its association with legendary records by Dinosaur Jr. and others. Unlike the error-erasing editing software Spider Bags frontman Dan McGee has favored in the past, the Tascam’s charms are more immediate, and it has a visceral resonance all its own.
Someday Everything Will Be Fine, which is about the importance of saying f**k it and dancing to a rock and roll record, is an album only Spider Bags could make.
Finnish metal band Fear Of Domination fuse elements from a variety of different styles, bringing together elements as diverse as Melodeath, Industrial and EDM to create a unique vision of a hyper-energetic, modern Metal-sound. The band sports a dynamic front duo with new female singer Sara Strommer nicely complementing founding vocalist Saku.
A new offering from the incomparable voice of Peabo Bryson… STAND FOR LOVE
Peabo Bryson has established a career as one of the premier male vocalists in contemporary music of the last quarter century. Possessing a beautifully rich, almost operatic voice, this two-time Grammy Award-winner has survived and prospered despite the passage of time and changes in popular musical trends.
With twenty albums to his credit, Peabo Bryson has enjoyed an unprecedented, across-the-board level of international success, Bryson has the distinction of being the first artist in music history to have separate records topping four different charts.
If you want to know what Gabe Gurnsey's debut LP sounds like, the first thing you should do is put aside Factory Floor, the group he co-founded 13 years ago. Gone are the cold, lengthy, stripped back deconstructions of no wave electronica and industrial techno. They have been abandoned in favor of something altogether warmer, torrid and succinct. This new sound - a 21st Century take on muscular electro, Balearic synth pop, EBM, proto-Hacienda militant funk, early Chicago house and minimal, Neptunes-referencing beats - can be experienced in full on Physical.
Amy Schumer stars as Renee, a woman who struggles with feelings of insecurity and inadequacy on a daily basis. After suffering a fall, she wakes up believing she is suddenly the most beautiful and capable woman on the planet. With this newfound confidence she is empowered to live her life fearlessly and flawlessly, but what will happen when she realizes her appearance never changed? This hilarious and relatable comedy also stars Academy Award nominee Michelle Williams, Rory Scovel, Busy Philipps, Aidy Bryant and Emily Ratajkowski, and is being hailed by critics as "funny and emotionally revealing" (Justin Chang, Los Angeles Times).
‘Lamp Lit Prose’ arrives just over a year after 2017’s self-titled ‘Dirty Projectors.’ Here David Longstreth’s band returns with a new album that is the yang to the yin of the 2017 effort. The songs signal a page turned for Longstreth: hope instead of heartbreak, a restorative balance. Guitars have returned to the Dirty Projectors’ world, intricate and gorgeous vocal harmony too. The album begins with “Right Now,” David singing, “there was silence in my heart, but now I’m striking up the band.” In addition to the core musicians and guests, LA string group the Calder Quartet, and The Brass Players of Los Angeles both appear on several songs. ‘Lamp Lit Prose’ is a recommitment to the sounds and ideals of Dirty Projectors, embracing the band’s trademarks while pushing forward the sonic envelope. Lamp Lit Prose will be the ninth release for Dirty Projectors and comes with collaborations from HAIM, Syd, Robin Pecknold, Rostam Batmanglij, Amber Mark, Empress Of and Dear Nora. Lamp Lit Prose was recorded at Ivo Shandor in Los Angeles.
Deafheaven was formed in 2010 by vocalist George Clarke and guitarist Kerry McCoy. They released their debut studio album Roads To Judah in 2011 . They added drummer Daniel Tracy to the group and released their breakthrough album Sunbather in 2013. After rounding out their line up with guitarist Shiv Mehra and bassist Stephen Clark—each subsequent live set felt like a religious experience for the bigger (and bigger) shows that followed. Their third album, and first for ANTI-, 2015’s New Bermuda, was heavier, sturdier, and more grounded in the dirt than Sunbather. They toured extensively to support New Bermuda playing tours and festivals with Lamb Of God, Anthrax, Danzig, and Gojira. Deafheaven’s new album, Ordinary Corrupt Human Love, finds them working with old friends again. The Jack Shirley-produced and Nick Steinhardt-art directed (of Touché Amoré) collection gets its title from Graham Greene’s novel The End of the Affair, referencing a moment when someone is looking for love, in all of its imper¬fection and simple beauty. This sentiment is carried throughout the hazy, yearning romanticism of the record with song titles and words as sumptuous as the sounds around them. Clarke describes the composition of Ordinary Corrupt Human Love beginning with “small seeds of healing, repair, and rebirth,” and like each subsequent Deafheaven album, this record is, in fact, a revelation. Defeat has inspired some of our best art. If you survive something terrible, you surface on the other side, walk toward the light, and come back to life. If you’re an artist, this kind of new self-knowledge can lead to creating something universal and remembered, something that can live longer than you do. While Deafheaven have managed to cross over this road in the past, they’ve nailed the feeling wholly with Ordinary Corrupt Human Love, a feeling that comes with experience and wisdom. Yes, everybody deals with hurt, everybody’s been the cause of their own implosions, and everybody has the capacity to overcome and love again. Deafheaven have found a way to externalize all of this, and in making their most complete record to date, they turn it into a balm and a cathartic exorcism.
Between the Buried and Me - Automata II - New CD Album This is PART TWO of BETWEEN THE BURIED AND ME’s two-part eighth album and introductory offering for Sumerian Records, Automata. The North Carolina quintet—Tommy Giles Rogers, Jr. [lead vocals, keyboards], Paul Waggoner [lead and rhythm guitar, backing and lead vocals], Dustie Waring [rhythm and lead guitar], Blake Richardson [drums], and Dan Briggs [bass, keyboards]—explore these themes by personally smashing boundaries once again. Automata marks the band’s first proper double LP-spanning concept. They continue to expand their ever-evolving style, upholding a tradition of progression in the process. Track Listing: 1. The Proverbial Bellow 2. Glide 3. Voice Of Trespass 4. The Grid
Back Roads And Abandoned Motels consists of the Jayhawks' versions of songs originally written by front man Gary Louris with and for other artists, including "Come Cryin' to Me" (originally released on Natalie Maines' Mother in 2013); "Everybody Knows" and "Bitter End" (released on Dixie Chicks' Taking The Long Way in 2006); "Gonna Be a Darkness" (written and performed by Louris and Jakob Dylan for True Blood: Music From The HBO Original Series - Volume 3 in 2011); "Need You Tonight" (originally released on Scott Thomas' Matson Tweed in 2015); "El Dorado" (originally released on Carrie Rodriguez' She Ain't Me in 2008); "Bird Never Flies" (originally released on Ari Hest's The Break-In in 2007); "Backwards Women" (written with Wild Feathers but never recorded) and "Long Time Ago" (written with Emerson Hart of Tonic but never recorded). In addition the album premieres two brand-new songs.
Co-produced by Dave Izumi in Izumi's own Echo Zoo studio in Eastbourne, work began on Outsiders in early 2017. The album, though instantly recognisable as a Magic Numbers record in it's melodies, begins with a more raucous punch sonically. The confidence is more evident than ever before, noticeable immediately in the more bluesy, gnarly guitar sound. Songs like 'The Keeper', even having a distinct T. Rex feel. I've been revisiting lots of early rock'n'roll and blues records, Bo Diddley, Howlin' Wolf", Stodart explains. "I've fallen madly in love with the electric guitar again for sure. I love T. Rex, and Bowie. The silver lining of the sadness of losing ?David Bowie?? was that you go back and become obsessed again. Even the way he left us was a work of art.' There's also been a subtle but significant shift in Stodart's lyrical themes. 'It wasn't a conscious decision to refrain from looking inward but I did feel a shift creatively with the things I wanted to say and share this time around. It's allowed me the opportunity to play with characters like Michele & I have done on 'Ride Against The Wind" which we based upon a fictitious motorcycle girl gang who've grown tired of conforming and towing the line in their everyday lives." This sense of fun is also reflected in the occasional references Romeo throws in of other people's songs, such as namechecking Kate Bush's "Hounds Of Love", and "Everybody's Talkin'" by ?Fred Neil??. "I enjoy throwing in those things in a way to see if people notice, it makes songwriting more playful." The lead single is the epic Neil Young meets Fleetwood Mac" Sweet Divide". "The couplet "Maybe there's no grand design/What if this is all we find?" hints at a humanist, even atheist interpretation. "No-one knows what's to come," says Romeo. "We're all just fumbling in the dark, searching, sometimes it can be comforting to acknowledge that. The expansive, extraordinary "Runaways" is one of the album's standout moments. "It's a love song for the misfits in society" Romeo explains, 'It's saying we're 'scorned lovers' 'damaged goods' but let's stick together and embrace it, I think there's a beauty in that'
With their new album, All That Reckoning, The Cowboy Junkies once again gently shake the listener to wake up. Whether commenting on the fragile state of the world or on personal relationships, this new collection may be the most powerful album the Cowboy Junkies have yet recorded. Its a deeper and a more complete record than weve ever done before, says songwriter / guitarist Michael Timmins. These songs are about reckoning on a personal level and reckoning on a political level.
Rayland Baxter’s new album is a dream realized. Since he first started writing music, this roving rock ‘n’ roll philosopher dreamed of a space where he could devote every waking hour to creating. The hard-touring musician finally found it in the form of an abandoned rubber band factory in Franklin, KY, where he covered the windows, threw a mattress on the floor, and with guitar and piano in tow, spent three straight months writing. At night he would sit and listen to the sounds around him: coyotes, the howling wind, the faint prattle of the nightly TV news. The result of this isolation quest is ‘Wide Awake’ (July 13/ATO Records), a ten-song collection that celebrates the best aspects of humanity and grasps at understanding the worst.
Leading with his heart as much as with his head, AHI is an emotional yet discerning lyricist who would rather demonstrate love than use the word itself. He allows his light to shine inward but only to a degree, admitting to some autobiography on In Our Time but as glimpsed through an imaginative lens. While his music possesses a quality of timelessness, the sounds here reveal a broad spectrum of influence and also toe the line between retro and revelatory. None of that is by accident: the album, like its 2016 predecessor, We Made It Through the Wreckage, was recorded in Nashville -- a place AHI finds attractive for its sound and skilled studio hands rather than its glitzy polish -- and this time on analog-to-tape with flourishes of digital technology.
Body/Head is the duo of Kim Gordon and Bill Nace. Creative alchemy doesn’t just happen in the studio or in the practice space; so much of it is the product of solo time with one’s instrument, learning how body and wood and electronics fuse, and of subconscious processes as one lives one’s daily life—picking up the ambient noise of the world outside, listening to others’ work, talking through ideas with friends. For Kim and Bill, time together these days is limited to live performances and recording, so they’ve got to bring all their magic to every encounter. Lucky for us, these are two experimental sorcerers of significant renown. Their debut album together as Body/Head, Coming Apart, from 2013, was more of a rock record—heavy, emotional, cathartic, spellwork in shades of black and grey. The Switch is their second studio full-length, and it finds the duo working with a more subtle palette, refining their ideas and identity. Some of it was sketched out live (if you’ve not had the fortune of seeing them in that natural environment yet, see 2016’s improvisational document No Waves), but much of it happened purely in the moment. Working in the same studio and with the same producer as Coming Apart, here Body/Head stretch out, making spacious pieces that build shivering drones, dissonant interplay, Gordon’s manipulated vocals, and scraping, haunting textures into something that feels both delicate and dangerous. Less discrete songs than one composition broken up into thematic movements, a slow-moving narrative that requires as much attention and care from the listener as it did from everyone involved in its creation, it is a record that sticks around after it’s done playing. This is Nace’s favorite of Gordon’s guitar work; she’s truly come into her own as a guitarist, having built up her confidence through solo shows. The way the duo work together, you’d never know they spend so much time apart; on The Switch, their vision and focus feel truly unified. If Coming Apart was dark magic, The Switch works with light, though it never forgets that these approaches are two sides of the same coin, and that binaries—black/white, near/far, emotion/analysis, body/head—are made to be broken open, and that the truth of things is in the energy between. “Tenuously and perfectly balanced between experimental challenge and punk efficiency.” - Pitchfork “All sorts of wild, enthralling noises with little more than a pair of guitars and some amplifiers.” - The New York Times “Their minimalist drones evoking the tumultuous inner spaces of the heart and the mind”. - SPIN
Ten years after Mamma Mia! The Movie grossed more than $600 million around the world, fans are invited to return to the magical Greek island of Kalokairi in an all-new original musical based on the songs of ABBA. With the film’s original cast returning and new additions including Lilly James and Academy Award® winner Cher, the musical comedy will open on July 20, 2018. Original ABBA member Benny Andersson produced and arranged the upcoming soundtrack.
Still Run is the new album from Brooklyn, NY based alternative band Wet, and is the follow up to the band’s critically acclaimed debut album Don’t You from 2016.
Still Run shows Wet with a more upbeat and pop driven sound than their debut. The band’s new sound and new outlook, is informed by lead singer and songwriter Kelly Zutrau taking more creative control of the project. Much of Wet's shift stems from Zutrau's more forceful vocals, which allow her direct, yet poetic lyrics to resonate more deeply, and which leap out of the sunnier production. Producers like Rostam (Haim, Solange), Andrew Sarlo (Big Thief), and John Hill (Santigold, M.I.A.) assisted primary producer and Wet band member Joe Valle, who brings a new comfort level to his production style, presenting dark lyrics in a brighter way that highlights their innate intensity and lets Zutrau's songwriting shine. "There are a million ways to make a good song sound good," she says. "But what matters to me most in the end are the vocal, and the songwriting, and whatever serves those best."
Wet is recognized for their deeply-hued emotional pop, well documented by the New York Times, Spin, and NPR among many others. Rolling Stone noted that Wet “set themselves apart with music that combines the elegant ache of Nineties R&B with the raw honesty of indie pop…”. Still Run is a testament to taking that control and pursuing one's artistic vision—and it also shows how any hiccups that might crop up along the way can make the vision's eventual realization more satisfying.
Gabrielle Union stars as a woman who will stop at nothing to rescue her two children being held hostage in a house designed with impenetrable security. No trap, no trick and especially no man inside can match a mother with a mission when she is determined on Breaking In. Producers Will Packer (No Good Deed, Obsessed) and Union (Almost Christmas, Being Mary Jane) reunite for this original thriller directed by James McTeigue (V for Vendetta, Sense8).
Take six twentysomething Chicago friends, add cocktails and hormones, shake and you've got Happy Endings, the hilarious comedy that asks: "When a couple splits, who gets to keep the friends?"
Dave (Zachary Knighton, TV's Flashforward) finds fulfillment manning a food truck after losing his hot fiancé, Alex (Elisha Cuthbert, TV’s 24), at the altar. Alex's type-A sister, Jane (Eliza Coupe, TV's Future Man), is almost happily married to horn-dog Brad (Damon Wayans Jr., TV's New Girl). Dave's roommate, Max (Adam Pally, TV's The Mindy Project), is a gay, sports-loving slob, and Penny (Casey Wilson, TV's SNL) is on the prowl for a good man. . .or men.
The laughs are nonstop as they do what tightly-knit friends do best: hang out, have fun, debate the meaning of life, hook up, break up, and do it all over again!
Popular guest stars appeared throughout the 3-season, 57 episode run on ABC including: Nick Zano, Megan Mullally, Rob Corddry, James Wolk, Mary Elizabeth Ellis, Christopher McDonald, Mark-Paul Gosselaar, Paul Scheer, T.J. Miller, Rob Riggle, Andy Richter, Max Greenfield, Colin Hanks and more!
"Blending comedic elements of Friends, Arrested Development, and 30 Rock, it manages to serve up something new and refreshing by being both consumed by and annoyed with the frenetic world we live in. It's biting, but easy to swallow social commentary at its best" - Rolling Stone
"It's one of the sharpest and warm-hearted comedies on the air, and I enjoy it a lot more than Modern Family." - Huffington Post