Celebrate the 50th anniversary of the concert that became a touchstone for a generation. This film brings the three-day concert to life through the voices of those who were present at what became the defining moment of the counterculture revolution.
When ace detective Harry Goodman goes missing, his son, Tim, and Harry’s former Pokémon partner, Detective Pikachu (Ryan Reynolds), join forces to unravel the tangled mystery. Chasing clues together on an epic adventure through Ryme City, they uncover a shocking plot that could destroy the whole Pokémon universe.
From the studio that brought you Bad Moms and the producer of Book Club comes an uplifting comedy about a woman who starts a cheerleading squad at a retirement community. Starring Academy Award winner Diane Keaton, Academy Award nominee Jacki Weaver, Pam Grier, Celia Weston, and Rhea Perlman, Poms is a "heartfelt and hilarious" (Hollywood News Source) story that proves it's never too late to follow your dreams.
When I Get Home is the new album from Grammy Award-winning singer/songwriter and visual artist Solange Knowles. This release represents the next phase in Solange's evolution as an artist, and is the follow up to her critically acclaimed 2016 album A Seat at the Table. The album is an exploration of origin. It asks the question how much of ourselves do we bring with us versus leave behind in our evolution. The artist returned to Third Ward Houston to answer this. When I Get Home was written, performed, and executive produced by Solange, and includes contributions from Tyler, the Creator, Chassol, Playboi Carti, Standing on the Corner, Panda Bear, Devin the Dude, The-Dream, and more. It also features samples from Third Ward's own Debbie Allen, Phylicia Rashad, poet Pat Parker, and Scarface.
You think you know the Icelandic band Of Monsters and Men, but you have no idea. Within the first minute of their new single 'Alligator' you'll be wondering if this huge anthem is the brainchild of the Yeah Yeah Yeahs fronting Arcade Fire –all thumping drums, brimming guitars and a call-to-arms chorus about taking control. During a day of final mixing at the LA studio of their co-producer Rich Costey (MUSE, Vampire Weekend, Chvrches), the five-piece gather in stages.
Limited edition custom center-opening gatefold LP pressed on 180g virgin vinyl at Pallas, Germany. Mastered by Dave Gardner at Infrasonic Sound.
WINDOW ROCK is an album yearning to find meaning in a morally ambivalent world. Micah Nelson, who records under the name Particle Kid, seeks to achieve this goal via 9 new, kaleidoscopic tracks, exploring the mythology of the self, with verve, minimalism and simplicity.
Caamp formed when childhood friends Taylor Meier and Evan Westfall bonded over a shared love for Ohio and music. Their self-titled debut (2016) exceeded 52 million plays and climbed the Spotify charts. Thereafter, Caamp toured with Rainbow Kitten Surprise, headlined the US, released Boys EP (2K sold) and added a third member, Matt Vinson. The band has built their grassroots audience from touring all over the world and have sold 25K tickets over the past 8 months. In 2019 they will play worldwide festivals including Shaky Knees, The Great Escape, Outside Lands, Edmonton Folk Festival, Austin City Limits, and more. By & By was co-produced by Josh Block and Austin Jenkins (Leon Bridges, White Denim) at Ft. Worth’s Niles City Sound. The much-awaited album By and By includes key tracks "Penny Heads Up", "No Sleep", "By and By" and "Peach Fuzz”.
The 4LP 180-gram audiophile black vinyl concert album features 17 songs that have never been released on a live album, including 'Blind Dogs' which is the first-time the band ever performed the song live. Packaging features a slipcase that holds four individual jackets which link together to form one large image and a two-panel insert.
On February 17, 2013, Soundgarden concluded a sold-out U.S. Winter tour in support of King Animal, their first studio album in over sixteen years, with a special Live from the Artists Den taping at the Wiltern in Los Angeles. Soundgarden mixed new songs with classic radio hits and rarities performed live for the first time, in front of a rapturous crowd. The concert has become the most requested Soundgarden show to be released of all-time. The 29 song, nearly two-and-a-half-hour show encompasses the band’s entire legacy of songs, from their early years with “Hunted Down” through their monumental albums Badmotorfinger and Superunknown respectively with “Outshined” and “Black Hole Sun,” and nearly every song from King Animal including “By Crooked Steps” and “Been Away Too Long.” The concert film features 21 songs never released on a concert film, 17 of which have never been released on a concert album, including “Blind Dogs” which is the first-time the band ever performed the song live.
"Twister" is the second studio LP from the acclaimed New Zealand quintet LEISURE. Produced by the band themselves, the album continues their free form exploration into catchy pop psychedelia, smooth electro-funk and big room modern soul music, all wrapped in shimmering sun-kissed soulful vocals.
Privatized prisons enforce police states, where nonviolent offenders languish for decades. Pharmaceuticals numb the mind. Social media distracts the spirit. All while the very planet lurches toward an inevitable climate disaster that will extinguish humanity. Against this backdrop of postmodern dystopia, chaos, and confusion, arrives “Human Target”, the earth-scorching fifth album from extreme metal titans THY ART IS MURDER. Australia’s most brutally alarming cultural export since George Miller’s Mad Max franchise makes music that serves as a loud last gasp against the ever-encroaching void. It’s a blazing light of nihilistic despondency before the final darkness. Fusing authentic crushing death metal with blackened fury and flashes of knuckle-dragging stomp, THY ART IS MURDER exorcise the pangs of mortality and the pains of socio-political trauma. THY ART IS MURDER’s thinking-person’s blackened death metal has challenged and inspired audiences around the globe, from top-tier genre festivals like Download, Graspop, Hellfest, and Summer Breeze; to high-profile tours supporting KILLSWITCH ENGAGE, PARKWAY DRIVE, and ARCHITECTS; to multiple headlining and co-headlining shows. In their native country, they’ve charted higher than any other homegrown extreme metal band. They even toured North America with SLAYER as part of Rockstar Mayhem.
When “Sugar Ray’s” breakthrough hit song “Fly” put them on the map in 1997, lead vocalist Mark McGrath was thrust into the public eye. It’s no doubt the band maintains its momentum due in no small part to the good looks, charisma and talent of its front man, Mark McGrath. McGrath first appeared with Sugar Ray (then known as the Shrinky Dinx) when he jumped on stage and grabbed the microphone. Two years later, in 1994, the band changed its name and landed a deal with Atlantic Records. Shortly after, in 1997, the band’s collaboration with reggae artist Super Cat resulted in the song “Fly,” which dominated the airwaves. Later that year, and following the success of their number-one hit, Sugar Ray released its second album, “Floored,” which went double-platinum. Sugar Ray’s success rocketed McGrath to pop-star status, as he graced the covers of “Rolling Stone” and “Spin.” He even made People magazine’s “Sexiest Man Alive” issue, named “Sexiest Rocker” in 1998. After “Floored,” Sugar Ray released “14:59,” in reference to its fading “15 minutes of fame.” Ironically, the CD wound up outselling its predecessor, going triple-platinum with hit singles “Every Morning,” “Someday” and “Falls Apart.” Their success continued with the release of the self-titled album, “Sugar Ray,” which garnered the band it’s first-ever top-10 album. The band has appeared numerous times on the Tonight Show, The Late Show with David Letterman, Carson Daly, and The Today Show's Summer Concert Series to name a few. In addition, McGrath has made guest appearances on the hit television dramas “Las Vegas”, “North Shore”, The Neighbors, The Office, Law and Order SVU and The Drew Carey Show to name a few. He has been featured on a number of MTV and VH1 programs, including the “Teen Choice Awards,” “My VH1 Music Awards,” “Rock ‘n’ Roll Jeopardy,” the “American Music Awards” and the “ESPY Awards.” McGrath has hosted VH1’s “I Love the 80’s” and “The Greatest: 100 Most Shocking Moments in Rock and Roll,” and the primetime specials “The World Music Awards” and “Victoria’s Secret Fashion Show”, as well as Extra, Don’t Forget the Lyrics and Killer Karaoke on the Tru Network. He also appeared with Sugar Ray in the 2002 feature film “Scooby-Doo.” And has gone on to co-star in last summers Si-Fy thriller Sharknado 2. Sugar Ray continues delivering the hits live and with the Summerland tour which combines great bands from the 90's and their top 10 hits, a big hit. Sugar Ray has a robust schedule of live dates scheduled and look forward to seeing everyone out on the road. “This is my life’s work,” he notes. “People say, ‘You’re still in the band?’ This is what I do! I’m gonna be in Sugar Ray till I die! I’ve been lucky enough to fit a uniform, I’m gonna wear it till the wheels fall off!”
NF's fourth full-length album: The Search, produced by Tommee Profitt, features hiphop, pop and cinematic elements, of which are evident in tracks such as 'When I Grow Up,' 'Returns,' title track 'The Search,' and lead single 'Time.' The album follows the 2017 release, Perception, which took the industry by surprise when fans propelled it to #1 on the Billboard 200 upon release. Perception is now certified Platinum in the US with over 2M album-equivalent units.
The bands sixth studio album. Produced by Slipknot and Greg Fidelman, 'We Are Not Your Kind' follows the band's blistering 2014 LP, '.5: The Gray Chapter', which debuted Top 5 in the official album charts of 19 countries around the world, including the U.S. (#1), Japan (#1), Australia (#1), Russia (#1), U.K. (#2) & Germany (#2).
Inspired By True Events follows Tori’s 2018 album, Hiding Place, which won the GRAMMY Award for Best Gospel Album while the chart-topping lead single, “Never Alone” (Feat. Kirk Franklin), took the Best Gospel Performance/Song prize. Produced by Franklin, a 12-time GRAMMY Award winner, Hiding Place debuted at No. 1 on Billboard’s Top Gospel Albums chart, earning more first-week streams than any gospel album in history. Though Hiding Place marked a stylistic departure from Tori’s work in the pop world, each song demonstrated the uncompromising artistry that carries through all of her music.
Her 2015 debut album, Unbreakable Smile, entered the Billboard 200 at No. 2 and contained the Gold-certified singles “Nobody Love,” “Should’ve Been Us” and “Hollow.”
It earned her a 2016 GRAMMY nomination for Best New Artist and recognition as a breakthrough artist at Billboard’s 2015 Women in Music ceremony. Unbreakable Smile has earned more than one billion cumulative streams worldwide and sold 1.3 million adjusted albums.
“hand solo,” “blow,” “conventional ride”—these are just a few of the cheeky offerings off Any Human Friend, the new album from rock provocateur Marika Hackman. “This whole record is me diving into myself and peeling back the skin further and further, exposing myself in quite a big way. It can be quite sexual,” Hackman says. “It’s blunt, but not offensive. It’s mischievous.” There’s also depth to her carnal knowledge: Any Human Friend is ultimately about how, as she puts it, “We all have this lightness and darkness in us.” Hackman lifted the album’s title from a documentary about four-year-olds interacting with dementia patients in senior homes. At one point, two little girls confer about their experience there, with one musing on how it’s great to make “any human friend,” whether old or young. “When she said that it really touched a nerve in me,” says the London-based musician. “It’s that childlike view where we really accept people, are comfortable with their differences.” Such introspection has earned Hackman her name. Her folky 2015 debut, We Slept at Last, was heralded for being nuanced and atmospheric. She really found her footing with her last release, I’m Not Your Man—which earned raves from The Guardian, Stereogum, and Pitchfork—and its sybaritic, swaggering hit “Boyfriend,” which boasts of seducing away a straight guy’s girlfriend. “Her tactile lyrics keep the songs melodically strong and full of surprises,” remarked Pitchfork. “I’m a hopeless romantic,” she explains. “I search for love and sexual experience, but also I’m terrified by it.” Hackman is a Rid of Me-era PJ Harvey for the inclusive generation: unbounded by musical genre, a preternatural lyricist and tunesmith who isn’t afraid to go there. (Even her cover art, which finds Hackman nearly nude while cradling a baby pig, is a nod to Dutch photographer Rineke Dijkstra’s unfiltered photos of mothers just after they gave birth.) To that end, “hand solo” extorts the virtues of masturbation and features Hackman’s favorite line, “Under patriarchal law, I’m going to die a virgin.” The song “blow” paints a picture of social excess. And “conventional ride” thumbs its nose at heterosexual sex through “the trope a lot of gay women experience: sleeping with someone, then it becomes apparent you’re kind of an experiment.” Marika wrote the album over a year, recording a few songs at a time with co-producer David Wrench (Frank Ocean, The xx). The longer recording process meant that Hackman had the time to experiment in the studio, especially with electronic songs. She was inspired by Wrench’s vast synth collection, many of which she used throughout Any Human Friend, notably on “hold on,” a deep dive into ennui expressed as ethereal R&B. She also switched up drum rhythms and wrote songs on the bass, such as the upbeat, idiosyncratic “come undone.” Hackman bookends Any Human Friend with some of her most unexpected musical turns. The first song she wrote, “the one” (technically its second track), is “probably the poppiest song I’ve ever written,” she says. “It’s about that weird feeling of starting the process again from scratch.” To that end, it features a riot grrrl Greek chorus hurling such insults at her as, “You’re such an attention whore!” The title track closes out the album and explores how, “when we’re interacting with people, it’s like holding a mirror up to yourself.” It’s a weightless coda that’s jazz-like in its layering of rhythmic sounds as if you’re leisurely sorting through Hackman’s headspace.
Blinded By The Light: Original Motion Picture Soundtrack brings together 12 essential Bruce Springsteen performances ranging from greatest hits and fan favorites ("Born To Run," "Dancing In The Dark," "Hungry Heart," "Because The Night") to previously unreleased tracks, including the long-sought-after studio recording of "I'll Stand By You." Also, for the first time on album, Blinded By The Light: Original Motion Picture Soundtrack presents two live rarities: the debut live performance of "The River" (from No Nukes '79 - Madison Square Garden, NYC - September 21, 1979) and an unforgettable acoustic solo performance of "The Promised Land" (Concert for Valor - The National Mall, Washington DC, November 11, 2014). In addition to the Springsteen performances, Blinded By The Light: Original Motion Picture Soundtrack includes period tracks and dialog from the film and premieres "For You My Love," a new song written for the film by soundtrack composer A.R. Rahman ("Slumdog Millionaire"). Rahman has won six National Film Awards, two Academy Awards, two Grammy Awards, a BAFTA Award, a Golden Globe Award, fifteen Filmfare Awards and seventeen Filmfare Awards South. Inspired by a true story (Sarfraz Manzoor's Greetings from Bury Park: Race, Religion and Rock N' Roll) and the words and music of Bruce Springsteen, New Line Cinema's "Blinded by the Light" is the new coming-of-age film directed by Gurinder Chadha ("Bend It Like Beckham"). The film follows Javed (Viveik Kalra), a British teen of Pakistani descent, growing up in Luton, England in 1987. Javed's turbulent life amidst the racial and economic turmoil of the times is transformed when he is introduced to the music of Bruce Springsteen.
Critically acclaimed singer-songwriter MARC COHN and gospel titans BLIND BOYS OF ALABAMA have announced the August 9th release of WORK TO DO, via BMG. Produced by John Leventhal, the unique collection combines the songwriting talents of Marc Cohn with the soul stirring harmonies of Blind Boys of Alabama and falls on the heels of more than a year of live collaborative dates. WORK TO DO is comprised of three studio tracks by COHN and THE BLIND BOYS, (two originals and a version of the gospel standard “Walking To Jerusalem”) and seven intimate live performances recorded at the Katharine Hepburn Cultural Arts Center in Old Saybrook, CT, during a taping of the PBS series The Kate, which premiered on May 24th, 2019. Original plans were to release an EP containing the studio tracks, but the excitement and magic captured during the taping inspired the decision to create this unique hybrid album. The live performances on WORK TO DO feature the Grammy award-winning BLIND BOYS OF ALABAMA adding their trademark harmonies and vocal textures to six songs drawn from the breadth of Cohn’s venerable career including the mega-hit, “Walking in Memphis,” “Ghost Train” and “Silver Thunderbird.” THE BLIND BOYS’ striking rearrangement of the traditional hymn “Amazing Grace” completes the collection. Grammy award-winning artist MARC COHN has solidified his place as a highly acclaimed and compelling singer-songwriter, combining the precision of a brilliant tunesmith with the passion of a great soul man. Hailed as “gospel titans” by Rolling Stone, THE BLIND BOYS first rose to fame in the segregated south with their thrilling vocal harmonies and roof-raising live show. They released their debut single, “I Can See Everybody’s Mother But Mine,” on the iconic Veejay label in 1948, launching a 70-year recording career that would see them rack up five Grammy Awards (plus one for Lifetime Achievement), enter the Gospel Music Hall of Fame, collaborate with everyone from Mavis Staples and Stevie Wonder to Prince and Lou Reed, and perform on the world’s most prestigious stages. MARC COHN and BLIND BOYS OF ALABAMA have announced a string of summer tour dates in support of WORK TO DO beginning in June. This rare combination of the incredible soul of MARC COHN mixed with the stirring vocal harmonies of BLIND BOYS OF ALABAMA is a moment not to be missed.
Outlaw country guitar slinger Jesse Dayton draws on an eclectic range of influences on his 10 song cover album, delivering his unique take on tracks from Jackson Browne, Neil Young, The Clash, Elton John, AC/DC and more!
It is rooted in the stories, sounds and culture of South Florida, more so than any of his previous projects. With the elevated songwriting and production, ZUU will reset expectations for what Denzel can achieve and will cement Denzel’s status as one of the most versatile, dynamic and important artists of his generation.
How Do You Love?, the second full-length LP from The Regrettes, is an album about the most universal of emotions: love. The story begins with a spoken-word poem, as lead singer Lydia Night diagnoses the listener as being "infected” with a “love disease.” From there, the album details the rise and fall of a relationship, from that first rush of butterflies, through a destructive break-up, to ultimately finding peace and closure. By the end, it's clear that The Regrettes are "infected" with love, too—but that's not a bad thing. The band hopes that the album will provide “the cure," by showing listeners that no matter how they’ve experienced love—whether it's romantic, platonic, or self-love—they’re never alone.
‘By Special Arrangement’, is a new album of orchestral reinventions of some of the most beloved songs from The Bamboos, alongside two cover versions – London Grammar’s ‘Hey Now’ and a majestic rendition of Sam Brown’s 1998 UK hit ‘Stop’. Other vocalists featured include Tim Rogers, Washington and longtime Boos vocalist Kylie Auldist.
Resilience Music Alliance is proud to announce the addition of acclaimed 18-year-old pianist/organist Matthew Whitaker to the label’s growing eclectic roster. Whitaker has already appeared on the Today Show and The Ellen DeGeneres Show, as well as receiving praise from Los Angeles Times and The New York Times. Blind since birth, Whitaker has created a truly remarkable album combining original compositions and covers of songs that have influence him throughout his life. The album, titled NOW HEAR THIS…, is Whitaker’s label debut, produced by GRAMMY Award-winning producer Brian Bacchus. Whitaker is joined by keyboardist Marc Cary, bassist Yunior Terry, guitarist Dave Stryker, drummer Ulysses Owens Jr., percussionist Sammy Figueroa and Flutist Gabrielle Garo.
With their sublime second album, Palace have pulled off a rare pop trick with Life After. Songs steeped in darkness emerge into light, from bleak situations spring fresh starts. Bathed in the band’s atmospheric alt-rock, the future feels brighter and more optimistic. Life After is both an album about loss and a manual to moving on. Out 7/12 via Caroline/Fiction.
The fourth installment of the Avengers series is the once-in-a-lifetime culmination of 22 interconnected films and the climax of an epic journey. Earth's heroes will finally understand how fragile our reality really is -- and the sacrifices that must be made to uphold it -- in a story of friendship, teamwork and setting aside differences to overcome an impossible obstacle. Peter Travers of Rolling Stone says, "Prepare to be wowed!"
The year is 1613, and William Shakespeare is acknowledged as the greatest writer of the age. But disaster strikes when his renowned Globe Theatre burns to the ground. Devastated, Shakespeare returns to Stratford, where he must face a troubled past and a neglected family. Haunted by the death of his only son, Hamnet, he struggles to mend the broken relationship with his wife and daughters. In so doing, he is ruthlessly forced to examine his own failings as a husband and father.
“How does brokenness walk? Or move through the world?” says guitarist/vocalist Carrie Brownstein about The Center Won’t Hold, Sleater-Kinney’s tenth studio album. “We’re always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person – ourselves or versions of ourselves or iterations of depression or loneliness – in the middle of the chaos.” The Center Won’t Hold is Sleater-Kinney’s midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock’n’roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we’ve heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won’t Hold drops you into the world of catastrophe that touches on the election,” says guitarist/vocalist Tucker of the title track. “We’re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it’s like we’re finding our way out of that space by becoming a rock band.
Ride return with the 6th studio album of their career and their second since reforming in 2015 and signing to Wichita. As with their previous album, the highly acclaimed Weather Diaries, Erol Alkan was in the producers chair, whilst career-long collaborator Alan Moulder (with Caesar Edmunds) mixed the album. The albums title was inspired by one of the hobo code symbols once used by those who travelled the railroads of the US, and then found in the early artwork of Jean-Michel Basquiat. The phrase clearly resonates with the current state of the world politically and environmentally. This Is Not A Safe Place is arguably the Ride album with the broadest sonic palette thus far. You can hear sounds and styles that span their entire catalogue but, both musically and lyrically, this is clearly an album made by a band who love being back together and who are at the very top of their game.
Over the last decade, Drew Holcomb has established himself as one of Americana s freshest upstarts, building his following and critical appeal with every release, show, and entrepreneurial undertaking (like his curated Moon River Music Festival and Magnolia Record Club). For Holcomb, music is what helps us try to understand our place in a world full of equal parts chaos, confusion, love, and community, and Dragons is his reminder to all of us to keep fighting the good fight and to never give up. Produced by Cason Cooley (Ingrid Michelson, American Authors) Dragons features collaborations with Lori McKenna, Natalie Hemby, Sean McConnell, and Zach Williams of The Lone Bellow.
King Gizzard are back with their 2ndalbum release of 2019, entitledInfest the Rats Nest, coming 8/16 via ATO Records! In complete contrast to the laid back, feel good vibes ofFishing for Fishies,Infest the Rats Nestis a full on thrash metal inspired assault and one of the most complex records the band has made in their extensive discography, their 15thalbum and counting! All album details below and attached along with the videos for the first three single releases “Planet B”, “Self Immolate” and “Organ Farmer”
In the words of Stu Mackenzie from the band: “In year 4 there was an older kid who was into Rammstein. I made friends with him and we put together a performance at our school assembly where we headbanged to ‘Du Hast.’ I got whiplash, which I thought was pretty cool. That was my introduction to heavy metal, and soon Rammstein led to Metallica, Metallica led to Slayer, Slayer led to Kreator and Sodom. The German bands really kicked my ass and scared the hell out of me too. Later on, when I picked up a guitar I realised that shit was too hard to play, so I got into rock ‘n’ roll and garage. That was liberating.”
On August 16th, 2019, Eilen Jewell will release Gypsy on Signature Sounds. Described as one of Americana's most intriguing and creative voices (American Songwriter), Jewell has written 11 new songs for Gypsy and is calling it her favorite album yet: new sounds, old sounds, electric guitar-driven rockers, classic country, and tender ballads. Gypsy continues to solidify Jewell's reputation as one of the most distinctive and potent voices in the Americana world today.
Tootsie's Original Broadway Cast Recording is now available from Decca Broadway. The album preserves David Yazbek's Tony-nominated score and the performances of the original Broadway cast, led by Tony nominee Santino Fontana as Michael Dorsey.
Lillie Mae announces her new album Other Girls will be released August 16th on Third Man Records. The album features eleven new, original songs written by Lillie Mae, produced by Grammy-winner Dave Cobb at Nashville’s famed RCA Studio A.
From the new track’s opening “I ain’t your baby,” the Nashville singer, songwriter, downtown scene slayer, and most-wanted fiddler signals a reclaimed confidence and bold evolution, telling women’s stories - including her own - that build on the strength of her “nervy” (NPR Music), 2017 Jack White-produced debut.
Lillie Mae led a sequestered childhood touring in a motorhome with her musician parents, constricted by religious boundaries. In her adolescence she busked from RV parks to the Rio Grande, swept through Nashville clubs, and achieved Top 40 country status in her sibling group Jypsi, but on Other Girls, a new side of herself emerges with more to say than ever before.
She embraces personal triumphs on “I Came For The Band (For Show),” breathes new perspective into “Terlingual Girl,” a song she wrote as a 19-year-old in the South-Texan desert, and professes brave truths as heard in “You’ve Got Other Girls for That.” After a vagabond past, crossing paths with hundreds of musicians, she limits the cast of Other Girls to just her brother, sister, and a few trusted collaborators.
Lillie Mae will debut songs from Other Girls live this summer, as she supports the Raconteurs across the west coast. She will also join Robert Plant on tour, both opening for him and playing in his band.
There's something different about The Rails on their brilliant third album. It's not just the sound of the record, which is harder, tougher and rockier than ever before. Cancel The Sun is melodic and immediate, a record that brings together the musical pasts of Kami Thompson and James Walbourne her family heritage, as the daughter of Linda and Richard Thompson, and sister of Teddy; his as guitarist for Son Volt, The Pogues and The Pretenders in a record that sounds like a pure version of themselves. You could spend hours casting around for a term to describe it, but maybe the best one would be pinched from an Eliza Carthy album title: Anglicana music that might originate in America, but is clearly and resolutely English.
"Yesterday, everyone knew The Beatles. Today, only Jack remembers their songs. From Academy Award®-winning director Danny Boyle and writer Richard Curtis comes a rock-n-roll comedy about music, dreams, friendship, and the long and winding road that leads to the love of your life – Yesterday, due in theatres June 28.After a mysterious global blackout wipes The Beatles from history, Jack, a struggling singer-songwriter, finds himself performing songs by the greatest band in history to a world that has never heard them.
Capitol Records – The Beatles’ U.S. record label – will release the Yesterday Original Motion Picture Soundtrack, which features new versions of The Beatles’ most beloved hits, performed by the film’s star, Himesh Patel. Album producer Daniel Pemberton, a two-time Golden Globe-nominated composer, has created a soundtrack that both reflects the film and stands alone as a true listening experience, begging to be heard from beginning to end. Most of the songs were recorded specifically for the album."
What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? With Brightburn, the visionary filmmaker of Guardians of the Galaxy and Slither presents a startling, subversive take on a radical new genre: superhero horror.
Josephine Chesterfield (Anne Hathaway) is a glamorous, seductive Brit who defrauds gullible wealthy men. Penny (Rebel Wilson) amasses wads of cash by ripping off her marks in neighborhood bars. Despite their different methods, both are masters of the art of the fleece so they con the men that have wronged women. Wilson's talent for physicality and Hathaway's withering wit are a combustible combination as the pair of scammers pull out all the stops to swindle a naïve tech billionaire (Alex Sharp) in this hilarious comedy.
Last season brought the culmination of "All Out War," which pitted Rick Grimes and his group of survivors against the Saviors and their cunning leader, Negan. With Negan's life in his hands, Rick had a character-defining choice in front of him. By making the unilateral decision to spare Negan, Rick upheld the values his late son, Carl, championed in order to build for the future, but created conflict within his group.
Now, we see our survivors a year and a half after the end of the war, rebuilding civilization under Rick's steadfast leadership. It is a time of relative peace among the communities as they work together, looking to the past to forge the future, but the world they knew is rabidly chanaina as man-made structures continue to degrade, and nature takes over, changing the landscape and creating new challenges for our survivors. As time passes, the communities confront unexpected obstacles, danger, and of course, walkers, but nothing quite prepares them for the formidable force they are about to encounter, which threatens the very idea of civilization that our survivors have worked so hard to build.
Some friendships transcend lifetimes. Picking up where A Dog's Purpose left off, Ethan's (Dennis Quaid) beloved dog Bailey (voiced again by Josh Gad) finds a new destiny: Protect Ethan's granddaughter CJ (Kathryn Prescott) at any cost. Bailey's adventure through multiple lives is filled with love, friendship and devotion as he and CJ experience joy and heartbreak, music and laughter, and a few really good belly rubs.
Hailed by Rolling Stone as a “stomping, swaggering rock & roll balancing act teetering between blinding light and total darkness,” Barns Courtney releases his newest album, 404, on September 6 by Capitol Records. Barns wrote and produced the 10-song collection with synth wiz and longtime friend Sam Battle. All in all, 404 is a commentary on his journey from awe struck naivety to the dark realization of adulthood. Barns Courtney has already surpassed a half billion cumulative streams globally and is currently touring with Elle King. In between headline dates, he’s opened for everyone from The Who and Blur to Ed Sheeran and The Wombats, prompting The Dallas Observer to note, “At the rate he's been performing, it won’t be long until he’s burned his name into the memory of anyone and everyone who bought a ticket to see someone different.”
A uniquely somber and contemplative entry in the Iggy Pop canon. Free has virtually nothing in common sonically with its predecessor (Post Pop Depression)—or with any other Iggy Pop album. As Iggy says, “Free to recoil from guitar riffs in favor of guitarscapes, from twangs in favor of horns, from back beat in favor of space; and in large part, from the effluent of my own mind and problems, in favor of trying to interpret the poetry of others…so this album just kind of happened to me, and I let it happen.”
The Highwomen are a cleverly named new supergroup comprising country and roots rock stars Brandi Carlile, Amanda Shires, Maren Morris, and Natalie Hemby. After a few months of teasers and a soft debut at April’s Loretta Lynn tribute, they’re making their official introduction to the world.
The group has announced its self-titled debut album, out in September and produced by Dave Cobb, the Nashville mainstay who always seems to be behind the boards for these types of projects. (He’s also produced recent albums by Jason Isbell, Sturgill Simpson, Chris Stapleton, Lori McKenna, Ashley Monroe… you get the idea.) The album features 12 songs written by various combinations of the core members plus some notable collaborators like Isbell, McKenna, Miranda Lambert, and Ray LaMontagne. It features guest appearances from Isbell, Cobb, Sheryl Crow, Yola, the Hanseroth twins, Chris Powell, and Peter Levin.
Grayscale align nostalgic confessions, nineties alternative homage, and 21st century playlist-busting ambition on their second full-length, Nella Vita. These twelve tracks urge pensive pondering, rock catharsis, and danceable elation all at once.
The ? anniversary 3-LP Deluxe Edition features the original album, all of its instrumentals, the entire A GHETTO CHRISTMAS CAROL EP,newly remixed songs and unreleased voice memo s from Jahseh D. Onfroy s process of the making of ?. The packaging features a pull-out poster, along with a booklet filled with never-before-seen photos.
Lost Girls is another brilliant full-length in Khan's incredible, acclaimed discography, mixing sounds she's always loved - heavy bass lines, synth arpeggios, Iranian pop beats, cascading choruses - with some of her finest songwriting to date. It's an album full of romance, a homage to Los Angeles where the album was recorded, to being a kid in the 80's, to films that touched and changed her life. Spanning 10 tracks, Lost Girls sees Khan dreaming up her own fully formed parallel universe, creating an off-kilter coming of age film in which gangs of marauding female bikers roam our streets, teenagers make out on car hoods and a powerful female energy casts spells and leave clues for us to follow. The women of Lost Girls are parallel to one of Khan's previous female protagonists, the tough, darkness-driven Pearl, from her 2009 lauded album Two Suns. Within the women of Lost Girls and the character Nikki Pink, Khan unfolds elements of herself; within these songs, we do the same.
Announcing Dawes – North Hills: 10th Anniversary-Edition deluxe vinyl reissue, available Sept 6, 2019! Dawes’ breakthrough debut studio album has been repressed on limited-edition vinyl and includes: 2 x translucent red LP’s, a bonus 7” w/two unreleased b-sides, a gatefold jacket w/gold foil stamp and expanded artwork, and an original 2009 promotional poster. Upon its release in 2009, Rolling Stone hailed Dawes as “The most promising purveyors of new-school country folk.”
2019 release. Guaxe is a musical duo that was formed spontaneously after the encounter of two Brazilian psych rockers Dino Almeida (Boogarins) and Pedro Bonifrate (Supercordas). Both members have guested on each others' recordings and had shared the stage at a few festivals together before Supercordas' dissolution in 2016. Over recent years, Dino has paid Bonifrate and his family many short visits to his home in Paraty in coastal Brazil. During these getaways, the Guaxe album was written and recorded - with 4-track machines, computers, cranky gear, 10-string guitars, children playing, and a rainforest full of lizards all around the house. Also check out Dino Almeida's other band Boogarins who are currently on tour following the release of their recent album Sombrou Dúvida which is available now on CD & LP
The groundbreaking albums, Modern Sounds in Country and Western Music, Vols. 1 & 2 are being reissued on digital and CD on February 8, 2019, also becoming available for the first time on streaming platforms. Modern Sounds in Country and Western Music, Vol. 1 will be re-released on vinyl for the first time since 2012, with a deluxe edition containing both Volumes 1 and 2 on 2 LPs.
Miles Davis shocked the music world in 1985 when he left Columbia Records after 30 years to join Warner Bros. Records. In October of that year, he began recording the album Rubberband in Los Angeles at Ameraycan Studios with producers Randy Hall and Zane Giles. The musical direction Davis was taking during the sessions marked a radical departure, with the inclusion of funk and soul grooves; with plans to feature guest vocalists Al Jarreau and Chaka Khan. Eventually, the album was shelved and Davis went on to record Tutu, leaving the Rubberband songs unheard and untouched for over 30 years.
Melanie Martinez’s sophomore album, K-12, is another ambitious triumph for the artist. As with her debut album Cry Baby, K-12's music is a vibrant and singular melting pot of low-key hip-hop, soulful pop and indie-leaning electro. K-12's universe is an expansion of the one introduced in Cry Baby. Using lyrics rich with metaphor, songs address the struggle to find a place to belong —including within friendships, the physical world and romantically — even when fitting into society feels like an uphill battle.
Necronautical, was initially formed as a recording only project in 2014 by founders Naut, Carcarrion and Anchorite. The trio recorded, produced and released their debut album receiving high praise from listeners and critics alike, and quickly established Necronautical as one of the most promising and unique projects in the UK's flourishing Black Metal scene.
Close It Quietly is a continual reframing of the known. It’s like giving yourself a haircut or rearranging your room. You know your hair. You know your room. Here’s the same hair, the same room, seen again as something new. Close It Quietly takes the trademark Frankie Cosmos micro-universe and upends it, spilling outwards into a swirl of referentiality that’s a marked departure from earlier releases, imagining and reimagining motifs and sounds throughout the album. The band’s fourth studio release is a manifestation of their collaborative spirit: Greta Kline and longtime bandmates Lauren Martin (synth), Luke Pyenson (drums), and Alex Bailey (bass) luxuriated in studio time with Gabe Wax, who engineered and co-produced the record with the band. Recording close to home— at Brooklyn’s Figure 8 Studios— grounded the band, and their process was enriched by working closely with Wax, whose intuition and attention to detail made the familiar unfamiliar and allowed the band to reshape their own contexts. On opener “Moonsea,” an unaccompanied Greta begins, “The world is crumbling and I don’t have much to say.” Take that as a wink and a metonym for the whole album, as her signature vocals are joined by Alex’s ascending bassline and Lauren’s eddying synths, invoking a loungey take on Broadcast or Stereolab’s space-disco experimental pop. There’s much more than “not much” to say here, and it's augmented and expanded by experimentation with synth patches, textures, and other recording nuances courtesy of Wax. As the lineup has solidified into the most permanent expression of full-band Frankie Cosmos, the bandmates have felt more comfortable deviating from their default instruments and contributing bigger-picture ideas to continue pushing the sound forward. The band’s closeness and aesthetic consistency freed its members to take more risks, notes Luke: "Everything will sound like Frankie Cosmos because Greta has such a distinct voice (literally and figuratively). We have so much latitude to experiment with the instrumental music, and this time around we really took advantage of that." Without losing any intimacy of prior albums, Close it Quietly is different, is outer. The album functions as a benign doppelganger, a shadow self of past releases; where other Frankie Cosmos records shine brightest looking inward, Close it Quietly refracts the self into the world, and vice versa, miraculously echoing Thoreau’s assertion that “when I reflect, I find that there is other than me.” Reflection--and refraction--isn’t tidy. “Flowers don’t grow/in an organized way/why should I?” Greta sings on “A Joke.” Growth isn’t linear. Change happens in circles. While recording the album, Alex says, “I closed my eyes a lot.” Stand in the sun, listen to Close it Quietly, and do the same.
VOLBEAT emerged from Copenhagen in 2001. Since then, they’ve tirelessly clawed their way to hard rock’s upper echelon with endless touring and a string of six beloved full-length albums. Recently, their 2010 album Beyond Hell/Above Heaven, which features hit singles “A Warrior’s Call” and “Heaven Nor Hell,” received RIAA Gold Certification. 2013’s Outlaw Gentlemen & Shady Ladies bowed at #9 on the Billboard Top 200 upon release marking the highest U.S. chart entry for a Danish Act since 1997.
‘High Expectations’ is that rare record which feels both like a graduation and, also, just the beginning for Mabel. The twice-Brit-nominated singer and songwriter has already sold over 3 million singles in the UK (two platinum, three gold, and two silver), surpassed 1 billion streams, and sold out the likes of Brixton Academy. Across her formative singles and first long-form project, ‘Ivy To Roses’, Mabel has written with startling honesty on young love, identity, girl power, and mental health – knowing full-well that she would make her debut album only when she was ready. And on that road to her first record, Mabel’s music has become a soundtrack – for her impassioned young female fanbase, but also for herself – on how to turn those vulnerabilities into your advantages. Now poised to join the pantheon of international pop greats, her tireless energy, positivity and drive will never allow Mabel to settle for anything less than ‘High Expectations’. In 2019, watch Mabel meet them and keep reaching higher still.
Run Home Slow is the sophomore album from The Teskey Brothers. The Australian band are two brothers (Josh and Sam Teskey) and their friends Liam Gough and Brendon Love. Onstage the band is as tight as any in the game, bringing horns and keys into the fray to deliver a show that soars and dives with masterful control. It's anyone's guess how far The Teskey Brothers are going to take their music but all indications so far suggest the love will go deep and wide around the world for this special combo.
Los Angeles Alternative band Grizfolk's new album Rarest Of Birds is an ode to Southern California classic rock with a 2019 spin. Dynamic, upbeat, and dreamy, "Believing" may be the best representation of the album.
Crafting honestly poetic, passionate and powerful songs, Nashville-Indie duo, The Harmaleighs (composed of Haley Grant and Kaylee Jasperson) forthcoming project 'She Won’t Make Sense' is a concept album about mental illness (Mania, Depression and Anxiety) experienced by band member Haley Grant.
In the fall of 2018, pianist and bandleader Jon Batiste played a six-night residency at the historic Village Vanguard in downtown New York City. On August 2, Batiste will release selections from those nights entitled ‘Anatomy of Angels: Live at the Village Vanguard’ via Verve Records.
The selection for Anatomy of Angels is comprised mostly of Batiste’s own compositions, which range from bluesy (“Dusk Train To Doha”) to Coltrane-esque explorations (the titular track “Anatomy of Angels” and “Creative.”) In addition to his own works, Rachael Price from Lake Street Dive joins him for Ray Noble’s “The Very Thought Of You.” Batiste also arranged on one of the most famous works of his idol Thelonious Monk, “’Round Midnight.”
This long sought-after release celebrates the 50th anniversary of Woodstock, by giving fans a front-row seat to relive CCR’s stirring, hour-long set as it was performed that historic night in August of 1969. Kicking off with “Born on the Bayou,” the album features the band’s biggest singles of the day, plus selections off their first three LPs, including “Commotion,” “Ninety-Nine and a Half (Won’t Do)” and “Bootleg.” Full of creative energy, John, Tom, Stu, and Doug delve deep into their music, playing extended improvisations of “I Put a Spell on You,” “Keep on Chooglin’” and “Suzie Q.”
First Taste is, as the title implies, a visceral shot of new flavor from Ty Segall. The followup to last January's extroverted Freedom's Goblin, First Taste cross-fertilizes Ty's antisocial side (think: Emotional Mugger) with the wide-ranging humanism of Manipulator and the pop zazz of the aforementioned Goblin. This means an immaculate sequence of sides with Ty playing multiple parts with and without contributions from the Freedom Band. Ty's songwriting confidence is at an apex, and he moves from style to style, evoking directions in rock, lite pop, experimental, alternative and even afrobeat! Ty at 12 (albums) = his best yet?
The long awaited new project from rockers, SKILLET is the band's most anticipated album to date. The foursome's overwhelmingly satisfied with the entire sonic and thematic palette throughout VICTORIOUS, which is loaded with plenty of anthems in the making destined to be smash singles and concert sing-a-longs.
LETTUCE is (a) the prime ingredient in a salad, (b) a slang for cash, (c) a green herb that can be smoked, (d) a genre-busting six-member funk/jazz/soul/jam/psychedelic/hip-hop/art-rock/ambient/ avant-garde/experimental collective formed in 1992 by four alumni of the prestigious Berklee College Of Music, or (e) all of the above.
In Frank Turner’s latest release, No Man’s Land, he masterfully hones his song-writing skills into 13 new songs, each telling the story of real women from history whose lives have not been widely documented. From Jinny Bingham, "The Shrew of Kentish Town," to Dora Hand, the American vaudeville singer, each song is fascinating, moving, funny, and most of all, worth sharing and celebrating. Produced by Catherine J Marks and recorded with an all-female ensemble.
Seratones aptly named sophomore release POWER is described by poet and author Hannif Abdurraquib as a glorious, swelling album[a] sonic monument, and precise lyrical tapestry. AJ Haynes bends her gloriously malleable voice seamlessly around the temples of rock, and soul, and funk. All of them, unfurling in waves of keys, staccato percussion and wailing curves of guitar. Based in Shreveport, Louisiana, Haynes and founding members, drummer Jesse Gabriel and bassist Adam Davis, form the kind of laser-focused rhythm section that you only get from bandmates who've been playing together since they were teenagers. New members Tyran Coker (keys) and Travis Stewart (guitar) bring a fresh dynamic to the band with interstellar soundscapes and entrancing melodies, all while maintaining the emotional edge and intensity from their acclaimed proto-punk debut record Get Gone.vPOWER exemplifies a true strength in vulnerability, a kaleidoscopic view into Haynes passions, hopes, and worries: from her love of poetry to her advocacy for Reproductive Justice and racial equity. Hard-learned lessons from lovers and intimate friends. The struggles to adapt and overcome. POWER is as much a statement as it is a question, a semiotic exploration of sound and Soul.
Produced by Brandi Carlile and Shooter Jennings, While I’m Livin’ is Tanya Tucker’s first album of all new music in 17 years and signals the return of this country music icon.
"While I'm Livin'" is an album of mostly original music written by Brandi Carlile, the twins and Tanya Tucker about her real life and the places she's seen. This album is a musical biography of sorts narrated by the greatest country and western singer this side of Johnny Cash. When the kids heard Cash stripped down on "American Recordings" they knew where their outlaw country music came from. When they hear Tanya stripped down on "While I'm Livin'", they'll know it again.
Power pop legends The Rubinoos are known for turning bubblegum into gold with ridiculously catchy tunes like I Wanna Be Your Boyfriend, their cover of Tommy James & The Shondells' I Think We're Alone Now, and the theme song to Revenge of the Nerds. They were the backing band when Jonathan Richman recorded the alternate version of Roadrunner and they opened 56 shows for Elvis Costello on his Armed Forces tour. But what's most impressive is that The Rubinoos are approaching their 50th anniversary and penning some of their finest songs to date. From Home is a homecoming recording of sorts. It reunites the original lineup of the band and was recorded in the same studio where they recorded their first single for Beserkley Records nearly half a century ago. The album was co-written and produced by Chuck Prophet, and right from the opening of the lead track Do You Remember, you'll realize that The Rubinoos never left and are here to take you back to Berkeley with them. The first pressing of From Home arrives on limited edition black and yellow splatter vinyl!
Nothing less than one of the great vocal jazz albums, this Grammy-winning 1956 collection showcased a large orchestra arranged by Buddy Bregman and famous versions of 'Miss Otis Regrets,' 'I Get A Kick Out Of You,' 'Every Time We Say Goodbye,' 'Night And And Day,' 'Love For Sale' and 'I've Got You Under My Skin.'
Vinyl LP pressing. Includes digital download. 2019 release. Redd Kross invite you to explore Beyond the Door, an album inspired by the band's "total commitment to having the best f*cking time we can have while we're all still here" (what they like to call "the Party"). It's a rock and roll record and a celebration of everything brothers Jeff and Steven McDonald love, from cultures both high and low. Musically, it's guitars, bass, and drums topped with a generous portion of sweet vocal melodies often delivered with an ambiguous edge.
"It's obvious he was destined to become one of Bluegrass's contemporary stars." -Boston Globe "Michael Cleveland is as versatile as they come, but when it comes to straight-up bluegrass, whether it's a 'bootstomper' or a high and lonesome lament, his peers are few and far between" -All Music Guide "He takes no prisoners but he plays with a restraint and a soul. He plays without abandon." -Vince Gill Featuring Special Guests: Sam Bush, Jerry Douglas, Tommy Emmanuel, Béla Fleck, Del McCoury, Tim O'Brien, the Travelin' McCourys, and Dan Tyminski "Untouchable." That's how Vince Gill describes the playing of bluegrass fiddler Michael Cleveland in the inspiring documentary about the GRAMMY-nominated musician's life, Flamekeeper: The Michael Cleveland Story. On his new album TALL FIDDLER, Cleveland lives up to Gill's lofty praise, showing off the verve, dexterity and intensity that have made him one of the most transfixing performers today - of any genre. It's that crossover appeal that distinguishes TALL FIDDLER, a record that blends string-music with country, jam-grass with folk, and is geared to introduce Cleveland-who, as he talks about in the Flamekeeper film, overcame partial deafness and being born blind-to a wider audience. Yes, bluegrass may be the Indiana native's first love, but on this album, Cleveland rocks. His masterful playing attracts an all-star roster of guests on TALL FIDDLER. No less than Del McCoury, a pillar of bluegrass, appears on the album, singing "Beauty of My Dreams" (Cleveland's favorite Del song) with Flamekeeper vocalist Josh Richards. Elsewhere, Dan Tyminski harmonizes with Richards on the chugging "Son of a Ramblin' Man" and the gorgeous "Mountain Heartache," also featuring Jerry Douglas on Dobro. Tim O'Brien and make appearances too, helping flesh out an album that, while a collaborative effort, is guided by the gifts of Michael Cleveland. It can also be tempting to sum up his playing as effortless. But that'd be selling the musician short. His journey to a GRAMMY-nomination and a record-setting 11 wins as Fiddle Player of the Year by the International Bluegrass Music Association, among other IBMA honors, only came through hard work and indomitable spirit.