Give the Gift of Music 2018

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Beach House

Beach House

7

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7 is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel. For 7, we built a "home" studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there, in the process shortening the amount of time between the original idea and the finished song (of the album’s 11 songs, 8 were finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los Angeles). 7 didn’t have a producer in the traditional sense. James Barone, who became our live drummer in 2016, played on the entire record. We also worked with Sonic Boom (Peter Kember), who became a great force on this record by shedding conventions and helping to keep the songs alive, fresh and protected from the destructive forces of recording-studio over-production/over-perfection. The societal insanity of 2016-17 was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source. In a more general sense, we are interested by the human mind's (and nature’s) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny. While the title is simply a number that represents our seventh record, the number 7 does represent some interesting connections in numerology. 1 and 7 have always shared a common look, so 7 feels like the perfect step in the sequence to act as a restart or “semi-first.” Most early religions also had a fascination with 7 as being the highest level of spirituality, as in "Seventh Heaven.” At our best creative moments, we felt we were channeling some kind of heavy truth, and we sincerely hope the listeners will feel that. Much Love, Beach House

Beach House
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Beach House

Beach House

7 [LP]

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7 is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel. For 7, we built a "home" studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there, in the process shortening the amount of time between the original idea and the finished song (of the album’s 11 songs, 8 were finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los Angeles). 7 didn’t have a producer in the traditional sense. James Barone, who became our live drummer in 2016, played on the entire record. We also worked with Sonic Boom (Peter Kember), who became a great force on this record by shedding conventions and helping to keep the songs alive, fresh and protected from the destructive forces of recording-studio over-production/over-perfection. The societal insanity of 2016-17 was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source. In a more general sense, we are interested by the human mind's (and nature’s) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny. While the title is simply a number that represents our seventh record, the number 7 does represent some interesting connections in numerology. 1 and 7 have always shared a common look, so 7 feels like the perfect step in the sequence to act as a restart or “semi-first.” Most early religions also had a fascination with 7 as being the highest level of spirituality, as in "Seventh Heaven.” At our best creative moments, we felt we were channeling some kind of heavy truth, and we sincerely hope the listeners will feel that. Much Love, Beach House

Beach House
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Father John Misty

Written largely in New York between summer 2016 and winter 2017, Josh Tillman’s fourth Father John Misty LP, God’s Favorite Customer, reflects on the experience of being caught between the vertigo of heartbreak and the manic throes of freedom.

God’s Favorite Customer reveals a bittersweetness and directness in Tillman’s songwriting, without sacrificing any of his wit or taste for the absurd. From “Mr. Tillman,” where he trains his lens on his own misadventure, to the cavernous pain of estrangement in “Please Don’t Die,” Tillman plays with perspective throughout to alternatingly hilarious and devastating effect. “We’re Only People (And There’s Not Much Anyone Can Do About That)” is a meditation on our inner lives and the limitations we experience in our attempts to give and receive love. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin. Together, these are songs that demand to know either real love or what comes after, and as the album progresses, that entreaty leads to discovering the latter’s true stakes.

God's Favorite Customer was produced by Tillman and recorded with Jonathan Rado (Foxygen), Dave Cerminara (Jonathan Wilson, Foster the People, Conor Oberst), and Trevor Spencer (FJM). The album features contributions from Haxan Cloak, Natalie Mering of Weyes Blood, longtime collaborator Jonathan Wilson, and members of Misty’s touring band.

Father John Misty
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Father John Misty

Father John Misty

God's Favorite Customer [LP]

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*Loser Edition on metallic purple vinyl w/ jacket variation while supplies last*

Written largely in New York between summer 2016 and winter 2017, Josh Tillman’s fourth Father John Misty LP, God’s Favorite Customer, reflects on the experience of being caught between the vertigo of heartbreak and the manic throes of freedom.


God’s Favorite Customer reveals a bittersweetness and directness in Tillman’s songwriting, without sacrificing any of his wit or taste for the absurd. From “Mr. Tillman,” where he trains his lens on his own misadventure, to the cavernous pain of estrangement in “Please Don’t Die,” Tillman plays with perspective throughout to alternatingly hilarious and devastating effect. “We’re Only People (And There’s Not Much Anyone Can Do About That)” is a meditation on our inner lives and the limitations we experience in our attempts to give and receive love. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin. Together, these are songs that demand to know either real love or what comes after, and as the album progresses, that entreaty leads to discovering the latter’s true stakes.

God's Favorite Customer was produced by Tillman and recorded with Jonathan Rado (Foxygen), Dave Cerminara (Jonathan Wilson, Foster the People, Conor Oberst), and Trevor Spencer (FJM). The album features contributions from Haxan Cloak, Natalie Mering of Weyes Blood, longtime collaborator Jonathan Wilson, and members of Misty’s touring band.

Father John Misty
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Arctic Monkeys

Arctic Monkeys return with their new album, entitled ‘Tranquility Base Hotel & Casino’ on Friday the 11th of May 2018. Produced by James Ford and Alex Turner, the album was recorded in Los Angeles, Paris and London.

Arctic Monkeys
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Arctic Monkeys

Arctic Monkeys return with their new album, entitled ‘Tranquility Base Hotel & Casino’ on Friday the 11th of May 2018. Produced by James Ford and Alex Turner, the album was recorded in Los Angeles, Paris and London.

Arctic Monkeys
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Alice In Chains

Alice In Chains

Rainier Fog

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The new highly anticipated album from Alice In Chains

Alice In Chains
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A Perfect Circle

A Perfect Circle

Eat The Elephant

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The album arrives following years of anticipation and speculation, which reached a fever pitch as the outfit helmed by Maynard James Keenan and Billy Howerdel launched their Fall 2017 tour with the release of “The Doomed”. The band then ushered in the new year with the debut of the contemplative song, “Disillusioned”.

“Although I’m extremely excited to finally be completing this album after a 14-year hiatus,” explains Keenan. “I’m actually more excited that its intentional release date is serving a greater purpose. The 20th of April is Carina Round’s birthday. She is a dear friend who is extremely difficult to shop for. Pressure off. Of course, I must also note that the potheads are gonna be thrilled that this album comes out on 4-20. May it serve as a glorious soundtrack to accompany all of the giggling and vexing sounds of nibbling and snacking. Fingers crossed, Cheech & Chong will be proud.”

“Demos are these precious ideas that you love in their initial state,” adds Howerdel. “Then you collaborate, invite other ideas, and watch them progress. That’s the dynamics and growth of a great record. I feel we’ve made a great record.”

Eat The Elephant, which was co-produced by Dave Sardy (Autolux, Slayer), is being released in multiple formats including digital, CD, and double gatefold 180 gram vinyl. In advance of Record Store Day, a limited-edition independent retail exclusive version of the LP on white 180 gram vinyl with alternate cover will also be available.

A Perfect Circle
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Calexico

Calexico

The Thread That Keeps Us

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Over the past two decades, a strong sense of place has shaped the music of CALEXICO, infusing their albums with a stylistic unpredictability and richness of texture. While 2015’s Edge of the Sun brought the Tucson-bred band to the Mexico City borough of Coyoacán, their new full-length The Thread That Keeps Us mostly came to life in a house studio near the Northern California coast nicknamed “The Phantom Ship” by CALEXICO vocalist/guitarist Joey Burns and drummer John Convertino.
Calexico
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Neko Case

Neko Case

Hell-On

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Producer/singer/songwriter Neko Case has won a large and loyal audience for her smoky, sophisticated vocals and the downcast beauty of her music. Now more than 23 years into her musical calling, Case is the consummate career artist--fearless and versatile, with a fierce work ethic and a constant drive to search deeper within herself for creative growth. 

On June 1st, Anti- will release Neko Case’s ‘Hell On,’ an indelible collection of colorful, enigmatic storytelling that features some of her most daring, through-composed arrangements to date. Produced by Neko with help from Bjorn Yttling (Peter Bjorn & John), ‘Hell On’ is simultaneously the most accessible and most challenging album in a rich and varied career that’s offered plenty of both. Rife with withering self-critique, muted reflection, anthemic affirmation, and her unique poetic sensibility, the 12 tracks of ‘Hell On’ — which features collaborations such as Joey Burns, Beth Ditto, Kelly Hogan, KD Lang, AC Newman, Paul Rigby, Laura Veirs, and more.

Neko Case
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Ben Harper And Charlie Musselwhite

Ben Harper And Charlie Musselwhite

No Mercy In This Land

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No Mercy In This Land is a blues record. Charlie Musselwhite and Ben Harper were introduced to one another by John Lee Hooker. The legendary musician thought the two men should play together, so he brought them into the studio to record a song called simply “Burnin’ Hell.” The two remained friends and their paths periodically crossed out there on the road. But it wasn’t until 2013 that the two met up in a studio to record what would be their Grammy winning album Get Up!. And as good as that record was, it was just the beginning. Both men agree that their friendship deepened in the many months of touring that followed. And it’s that bond, that closeness, that makes this new record something special. At first glance, Ben Harper and Charlie Musselwhite might seem an unlikely pairing. While Ben grew up in in the tree lined Southern California college town of Claremont, a bastion of culture and liberalism just east of Los Angeles, Charlie was raised in Memphis during the time of rockabilly and Sun Records. But while the two might have come to their musical knowledge in different eras and places, as Charlie explains, “We were both searchers and we’re still seeking.” Each of them possess an enduring hunger for musical knowledge that came to them early.

Ben Harper And Charlie Musselwhite
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Sleep

Sleep

The Sciences

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Sleep
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Idles

Idles

Joy As An Act Of Resistance

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IDLES with "Joy as an Act of Resistance." is an attempt to be vulnerable to their audience, to encourage vulnerability; a mere brave naked smile in this messed up new world. They have stripped back the songs and the lyrics to their bare flesh to allow each other to breathe and to celebrate our differences and act as an ode to communities and the individuals that forge them because without our community, we’d be nothing.

Idles
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Idles

IDLES with "Joy as an Act of Resistance." is an attempt to be vulnerable to their audience, to encourage vulnerability; a mere brave naked smile in this messed up new world. They have stripped back the songs and the lyrics to their bare flesh to allow each other to breathe and to celebrate our differences and act as an ode to communities and the individuals that forge them because without our community, we’d be nothing.

Idles
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Dave Alvin and Jimmie Dale Gilmore

Dave Alvin and Jimmie Dale Gilmore

Downey To Lubbock

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DOWNEY TO LUBBOCK was born by immaculate inspiration from live shows Grammy winner Dave Alvin and Grammy nominee Jimmie Dale Gilmore performed together in 2017. Just the two of them were swapping songs and cutting up, each with a guitar and a heart full of soul, musicians who ve been on the road their entire adult lives. The result is an album of blues, rock and folk inspired tunes that both of their fans will enjoy. The album contains 12 songs - 10 covers and two originals - and is destined to be a classic Americana album from two Americana legends.

Dave Alvin and Jimmie Dale Gilmore
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Dave Alvin and Jimmie Dale Gilmore

Dave Alvin and Jimmie Dale Gilmore

Downey to Lubbock [LP]

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DOWNEY TO LUBBOCK was born by immaculate inspiration from live shows Grammy winner Dave Alvin and Grammy nominee Jimmie Dale Gilmore performed together in 2017. Just the two of them were swapping songs and cutting up, each with a guitar and a heart full of soul, musicians who ve been on the road their entire adult lives. The result is an album of blues, rock and folk inspired tunes that both of their fans will enjoy. The album contains 12 songs - 10 covers and two originals - and is destined to be a classic Americana album from two Americana legends.

Dave Alvin and Jimmie Dale Gilmore
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Leon Bridges

Leon Bridges

Good Thing

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Long awaited 2nd album. Young soul sensation adopts a more contemporary R&B approach while staying true to his signature style.

Leon Bridges
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First Aid Kit

First Aid Kit

Ruins [LP]

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Ruins is the new and eagerly awaited album from Swedish sister duo First Aid Kit. This new album finds First Aid Kit as you've never heard them before: wounded and biting back hard. While Ruins follows the traditions of the classic folk rock sound that First Aid Kit revived via their breakthrough album Stay Gold (2014) and previous releases The Big Black And The Blue (2010) and The Lion's Roar (2012), the difference is that this time they've lived, and the results are intense.

Tracks such as "Rebel Heart" the album's opener documents a love doomed from the start. "It's A Shame" the lead single is a plea to live in the moment because everyone disposes of each other eventually. On "Postcard" and To Live A Life," you feel the breath-stealing weight of despair when a shattered love leaves you bereft of hope. "Fireworks" introverts the blame with self-loathing.

In many ways, First Aid Kit's largest asset is their biggest problem. Their voices are so damn pretty. The [previous] records were always so perfect," says Johanna Söderberg. On Ruins, the duo didn't want it to feel perfect. They wanted it to feel rough and wrenching. Johanna comments further, "Given the material, the lyrics had to be the focus. These sentiments didn't need to be dressed up. They needed to be naked."

Ruins was made with one target in mind: make it sound more real a result the Söderberg sisters clearly achieved.

First Aid Kit
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First Aid Kit

First Aid Kit

Ruins

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Ruins is the new and eagerly awaited album from Swedish sister duo First Aid Kit. This new album finds First Aid Kit as you've never heard them before: wounded and biting back hard. While Ruins follows the traditions of the classic folk rock sound that First Aid Kit revived via their breakthrough album Stay Gold (2014) and previous releases The Big Black And The Blue (2010) and The Lion's Roar (2012), the difference is that this time they've lived, and the results are intense.

Tracks such as "Rebel Heart" the album's opener documents a love doomed from the start. "It's A Shame" the lead single is a plea to live in the moment because everyone disposes of each other eventually. On "Postcard" and To Live A Life," you feel the breath-stealing weight of despair when a shattered love leaves you bereft of hope. "Fireworks" introverts the blame with self-loathing.

In many ways, First Aid Kit's largest asset is their biggest problem. Their voices are so damn pretty. The [previous] records were always so perfect," says Johanna Söderberg. On Ruins, the duo didn't want it to feel perfect. They wanted it to feel rough and wrenching. Johanna comments further, "Given the material, the lyrics had to be the focus. These sentiments didn't need to be dressed up. They needed to be naked."

Ruins was made with one target in mind: make it sound more real a result the Söderberg sisters clearly achieved.

First Aid Kit
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The Internet

The Internet

Hive Mind

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HIVE MIND is the new album from THE INTERNET, and is the follow up to 2015's critically acclaimed and Grammy nominated album Ego Death. With this new album, THE INTERNET present enormous growth in their creative chemistry and prove they are a five-person force whose singular talents created one phenomenal whole. The album is written and produced entirely by THE INTERNET - Syd (vocalist/songwriter), Matt Martians (producer), Steve Lacy (guitarist/vocalist/songwriter), Patrick Paige II (songwriter/bassist), and Christopher Smith (songwriter/drummer). And it is with a sense of togetherness - not just for them, but for everyone - that the band chose to highlight as a major theme for Hive Mind. "After making a few songs we realized that we really want to use this album to live by example and promote camaraderie amongst young black people," Syd reveals. "We realized that we're the only band of our kind. And we want to really solidify ourselves as that, as the best." With the chaos of the current world considered, all of THE INTERNET wanted to champion good feelings and the joy of following your heart and passions, in addition to using their own positive relationships and experiences to inspire their community. The band unearthed an even deeper purpose as they collaborated on HIVE MIND. The result is not just one of the greatest records in the band s already phenomenal catalogue, but is easily one of the best albums of 2018, from five amazing people already leaving an indelible mark on pop music.

The Internet
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MGMT

MGMT

Little Dark Age

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Little Dark Age is the long awaited new album from MGMT. The album is produced by MGMT, Patrick Wimberly (Chairlift, Kelela, Blood Orange), and long-time collaborator Dave Fridmann (Flaming Lips, Spoon, Tame Impala). MGMT recorded Little Dark Age at Tarbox Road Studios in Cassadaga, NY.

The new album includes the previously released title song "Little Dark Age," and the tracks "When You Die" and "Hand It Over." Each of these tracks were also accompanied by stunning video clips. The focus track and video for "Me and Michael" will be released around the album.

MGMT will also embark on a worldwide tour in 2018, with dates in the US from March through June including Firefly Music Festival.

Formed in 2002 by Andrew VanWyngarden (lead vocals, guitar, keyboard, bass guitar, drums, percussion) and Ben Goldwasser (vocals, keyboards, guitar, percussion), MGMT released their influential, Grammy-nominated, debut album Oracular Spectacular in 2007. This was followed by 2010's Congratulations and 2013's self-titled album MGMT.

MGMT
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MGMT

MGMT

Little Dark Age [LP]

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Little Dark Age is the long awaited new album from MGMT. The album is produced by MGMT, Patrick Wimberly (Chairlift, Kelela, Blood Orange), and long-time collaborator Dave Fridmann (Flaming Lips, Spoon, Tame Impala). MGMT recorded Little Dark Age at Tarbox Road Studios in Cassadaga, NY.

The new album includes the previously released title song "Little Dark Age," and the tracks "When You Die" and "Hand It Over." Each of these tracks were also accompanied by stunning video clips. The focus track and video for "Me and Michael" will be released around the album.

MGMT will also embark on a worldwide tour in 2018, with dates in the US from March through June including Firefly Music Festival.

Formed in 2002 by Andrew VanWyngarden (lead vocals, guitar, keyboard, bass guitar, drums, percussion) and Ben Goldwasser (vocals, keyboards, guitar, percussion), MGMT released their influential, Grammy-nominated, debut album Oracular Spectacular in 2007. This was followed by 2010's Congratulations and 2013's self-titled album MGMT.

MGMT
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Dave Matthews Band

Dave Matthews Band

Come Tomorrow

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Come Tomorrow is the ninth studio album from Dave Matthews Band. The album is their first since 2012's Away from the World.

Dave Matthews Band
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