PREORDER UPCOMING RELEASES
Mac DeMarco returns with his newest album, Here Comes the Cowboy, the first album to be released on his new independent label, Mac’s Record Label. The album features lead single “Nobody,” and is available on May 10.
Since their inception in 2008, Defeater have stood apart as storytellers in the world of hardcore. Hailing from Boston, Massachusetts, the band’s lineup consists of Derek Archambault (vocals), Adam Crowe (guitar), Jake Woodruff (guitar), Joe Longobardi (drums) and Mike Poulin (bass). They have toured with the likes of La Dispute, Comeback Kid, and August Burns Red. Defeater will be the band’s fifth studio album
Zagg is the debut full-length album by Jackie Cohen and the follow-up to her two introductory EPs released last year, Tacoma Night Terror Parts 1 & 2, which were called "utterly spellbinding" (The Line of Best Fit), "a stunning and complete debut" (Vinyl Me, Please), and "sleazy-listening glam" (The Guardian). The playing on Zagg – by Cohen with the Spacebomb House Band – and production – by Jonathan Rado (Foxygen) and Matthew E. White with freak-of-nature orchestral arrangements by Trey Pollard – is bright and beautiful across the whole grab-bag of love songs, laments, self-mortifications, meditations on sunscreen, hammer-anvil jams, and kit v. kit double drum cardio smash-bros looney tunes suicide pursuits. More than one of Jackie’s many nicknames, “Zagg" is also a shout out to her uncanny ability to select an unanticipated word or musical flourish, her disarming poetic acumen, her ability to zoom in and out at lightning speed and spin a phrase into a mantra, or the opposite of a mantra. Each song on this record is its own unique little world, keeping a listener delightfully off-kilter throughout the entire affair. Here’s the record. Listen hard. Read the signs. Pack a lunch. Enjoy.
With a true brotherhood that comes from growing up together, indie rock band Ona merge all their musical history for their second album, Full Moon, Heavy Light. The band shares its name with a small town just outside of their home base of Huntington, West Virginia. All five band members of Ona were raised in the area, with a couple of guys knowing each other since grade school. The band agreed on their name after Jenkins happened to wear an Ona Little League ball cap to rehearsal. Ona unique has their sound stands apart from the country and bluegrass heritage that the West Viriginian state is known for. Explained in part by Nolte I grew up in the woods, but my dad only listened to glam rock, so sometimes it s hard for me to identify with the quintessential West Virginia image, The new record was produced by Drew Vandenburg (Of Montreal, Futurebirds, Deerhunter) and is the first signing on Tyler Childers' Hickman Holler Records.
Vinyl: $28.98 PRE ORDER
Jimmie Vaughans New Album Baby, Please Come Home available on CD, Digital and Limited Edition Aztec Gold Vinyl When it comes to the blues today, there are a handful of guiding lights to make sure the music stays true to its powerful source. The sound of pleasure and pain that first sparked musicians to create such a sound is a force that can never be underestimated. The mojo has to be there. Texas guitarist/singer Jimmie Vaughan has dedicated his life to making sure the blues not only stays alive, but remains full of life and an inspiration to all who listen. Hes held onto the spirit of the blues for more than 50 years, and he isnt about to stop now. Vaughans first studio album since 2011, Baby, Please Come Home is a rolling and righteous celebration of everything the blues can be.
Inspired by the warm, inviting sounds of ‘70s singer-songwriters like Jackson Browne and Graham Nash, Ryan Pollie wanted to make the most personal music of his career. He had released two albums as Los Angeles Police Department, and now he was ready to shed the protective barrier of his old band name — to make music, simply, as himself. Bolder and crisper than the albums he’s made as Los Angeles Police Department, his self-titled record emerges from a deeply collaborative place. He invited many of his closest friends over to his home to record the album, and a feeling of warm camaraderie shines through the music. “When somebody plays on a song, their character is in it,” he says. “I like to think all my friends are on this record. Their personality is in it. That was really important to me. I’m able to do what I do, mentally and emotionally, because of the people around me.”
I Am Easy To Find is The National’s eighth studio album and the follow-up to 2017’s GRAMMY®-award winning release Sleep Well Beast. A companion short film with the same name will also be released with music by The National and inspired by the album. The film was directed by Academy Award-nominated director Mike Mills (20th Century Women, Beginners), and starring Academy Award Winner Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, which was recorded at Long Pond, Hudson Valley, NY with vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more. On September 3, 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, 20th Century Women, and was interested in working with the band on...something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process. The result is I Am Easy to Find, a 24-minute film by Mills starring Alicia Vikander, and I Am Easy to Find, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other”—they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically side staged in favor of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.
Eclectic Canadian artist Lucette sophomore album Produced by Sturgill Simpson, Deluxe Hotel Room takes the traditional roots sound showcased on her 2014 debut (produced by Dave Cobb) with which she captured the attention of critics and fans alike with her breakout track “Bobby Reid”, a sauntering murder ballad that was featured on the Netflix special Nanette and has since garnered over 4-million Spotify streams to date. Taking the first album sound for Deluxe Hotel she amplifies it by adding ethereal ambiance and emotive resonance to a foundation of R&B, pop and soul. Lucette’s cutting, honest lyrics are informed by life experiences in love, loss and battling inner demons as she comes into her own both personally and artistically.
Nashville-based singer-songwriter Caroline Spence will release Mint Condition, her third full-length release and her debut for Rounder Records, on May 3, 2019.
Mint Condition follows Spades and Roses, a 2017 release which earned accolades from journalists and her peers in the songwriting community. In bringing Mint Condition to life, Spence worked with producer Dan Knobler (Lake Street Dive, Erin Rae) and recorded at his Nashville studio Goosehead Palace, landing a guest appearance from Emmylou Harris and enlisting musicians from Spence’s previous projects and live band. The album was mixed by Grammy-winning engineer Gary Paczosa (Sarah Jarosz, Parker Millsap, Gillian Welch).
New to Vancouver (Canada), alternative/singer-songwriter and multi-instrumentalist Jon Bryant sought connection. After joining, spending time and eventually leaving an undisclosed ‘cult’, Bryant’s fascination with cults began to percolate and became the framework for his upcoming full-length ‘Cult Classic’, that releases on May 17, 2019 via Nettwerk.
The Saint Of Lost Causesis the 8th album from American roots troubadour, Justin Townes Earle. Earle’s latest album finds a songwriter and artist who is unflinching and unequivocal in his truth. When writing this album, Earle focused on a different America—the disenfranchised and the downtrodden, the oppressed and the oppressors, the hopeful and the hopeless. There’s the drugstore-cowboy-turned-cop-killer praying for forgiveness (“Appalachian Nightmare”) and the common Michiganders persevering through economic and industrial devastation (“Flint City Shake It”); the stuck mother dreaming of a better life on the right side of the California tracks (“Over Alameda”) and the Cuban man in New York City weighed down by a world of regret (“Ahi Esta Mi Nina”); the “used up” soul desperate to get to New Orleans (“Ain’t Got No Money”) and the “sons of bitches” in West Virginia poisoning the land and sea (“Don’t Drink the Water”). These are individuals and communities in every corner of the country, struggling through the ordinary—and sometimes extraordinary—circumstances of everyday life.
NCT 127 is the second sub-unit and Seoul based unit of the South Korean boy group NCT. The unit debuted with their first extended play NCT #127. Their name is an acronym for Neo Culture Technology and the number represents the longitudinal coordinate of Seoul. The group consists of nine members, three of whom all speak fluent English. With over 215 Million in US consumption, nearly 100 Million in US video views and a fan base that won’t quit, Seoul based global powerhouse NCT 127 has shaken up the K-Pop world. They were the first K-Pop group hit Billboards No. 1 on the Emerging Artist Charts.
Vinyl: $29.98 PRE ORDER
With their latest album 'Full Upon Her Burning Lips', Earth have stripped away the layers and auxiliary instrumentation that embellished some of their previous records and have deconstructed their dynamic to the core duo of Dylan Carlson on guitar and bass and Adrienne Davies on drums and percussion. The ten tracks on 'Full Upon Her Burning Lips' came together in bits and pieces. Some songs stemmed from a handful of musical phrases and repeating patterns concocted in moments of downtime during their 2017 tour schedule, while others came from rehearsals in the months leading up to recording or in moments of divine inspiration in the studio. The record was engineered, mixed, and mastered by longtime associate Mell Dettmer at Studio Soli. Knowing their process and their sound, Dettmer helped harness, shape, and document the songs in a manner that highlights the depth of Earths sparse components, capturing a hidden dimension to the patterns and creating a kaleidoscope of auditory activity.
Mavis Staples returns with a brand new studio album produced and written by Ben Harper. Backed by Mavis’ critically acclaimed live band, We Get By features 10 songs of longing, strength, and spirituality, presented with simplicity, grit and sublime beauty. Highlights include the buoyant, “Anytime”, the cathartic, “Change”, and the title track, an uplifting duet with Ben Harper.
Enter Flamagra - a work that sweeps up every quantum advance and creative leap of the last dozen years of Lotus career and takes them even further; the Warp release encompasses hip-hop, funk, soul, jazz, global dance music, tribal poly-rhythms, IDM, the L.A. Beat scene, but it soars above a specific vortex whose coordinates can t be accurately charted. Other than to say that it is a Flying Lotus record, perhaps the definitive one. An astral afro-futurist masterpiece of deep soul, cosmic dust, and startling originality. He s aided by a dream cast of collaborators: Anderson Paak, George Clinton, Yukimi Nagano of Little Dragon, Tierra Whack, Denzel Curry, Ishmael Butler of Shabazz Palaces, Toro y Moi, and his telepathic kinsman, Thundercat. David Lynch even pops up for an eerie narration wherein he somberly warns that, 'Fire is coming.' But they all naturally bend to the magnetic warp of Lotus spells -- a transfixing hex unto themselves. Limited Edition double vinyl with mirrorboard pop-up gatefold sleeve.
It was on a mountainside in Cumbria that the first whispers of Cate Le Bon’s fifth studio album poked their buds above the earth. “There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night,” she says, recounting the year living solitarily in the Lake District which gave way to Reward. By day, ever the polymath, Le Bon painstakingly learnt to make solid wood tables, stools and chairs from scratch; by night she looked to a second-hand Meers — the first piano she had ever owned — for company, “windows closed to absolutely everyone”, and accidentally poured her heart out. The result is an album every bit as stylistically varied, surrealistically-inclined and tactile as those in the enduring outsider’s back catalogue, but one that is also intensely introspective and profound; her most personal to date.
Vinyl: $24.98 PRE ORDER
Amyl and The Sniffers are a grimy pub rock band from Melbourne, Australia. The band take their cues from a diverse mix of hard rock, Aussie punk, and country. They set out to have as much fun as possible and scared up a whole lot of fans along the way. AATS were brought to ATO’s attention when they opened for King Gizzard. The Sniffers have since been selling out headlining dates in the US and have sold through three pressings of their "Some Mutts" single. Their full-length album releases 5/24.
Guns N’ Roses bassist and New York Times bestselling author Duff McKagan’s new solo album, Tenderness, is a reflection on his experiences traveling the globe over two and a half years on GNR’s Not In This Lifetime tour. Encountering heartbreak, anger, fear, confusion and divide on his travels during this tumultuous time in our world history, McKagan channeled a collective hurt into songs of monolithic power. The album was produced by recent Grammy winner Shooter Jennings and features Jennings’ band along with appearances by The Waters and The Suicide Horn Section, amongst others. Pressed on 180-gram audiophile black vinyl and housed in a single-pocket gatefold jacket, the vinyl edition features 10 tracks and a unique sequence carefully selected by Duff and Shooter.
Omoiyari is Kishi Bashi's fourth album, following the acclaimed 151a (2012), Lighght (2014), and Sonderlust (2016). Channeling the hard-learned lessons of history, Omoiyari reflects the turbulent socio-political atmosphere of present day America. "I was shocked when I saw white supremacy really starting to show it's teeth again in America," Kishi Bashi says. "My parents are immigrants, they came to the United States from Japan post-World War II. As a minority I felt very insecure for the first time in my adult life in this country. I think that was the real trigger for this project." Kishi Bashi recognized parallels between the current U.S. adminis- tration's constant talk of walls and bans, and the xenophobic anxieties that led to the forced internment of Japanese-Americans in the months following the attack on Pearl Harbor. So he immersed himself in that period, visiting former prison sites and listening to the stories of survivors, while developing musical concepts along the way. The unique creative process behind Omoiyari has been documented in a film scheduled for release in early 2020. "I didn't want this project to be about history, but rather the importance of history, and the lessons we can learn," Kishi Bashi reflects. "I gravitated toward themes of empathy, compassion, and understanding as a way to overcome fear and intolerance. But I had trouble finding an English title for the piece. Omoiyari is a Japanese word. It doesn't necessarily translate as empathy, but it refers to the idea of creating compassion towards other people by thinking about them. I think the idea of omoiyari is the single biggest thing that can help us overcome aggression and conflict." The strong conceptual elements of Omoiyari are driven by Kishi Bashi's captivating musical score. Stepping away from his past loop-based production model, he embraced a more collaborative approach when recording, and for the first time included contributions from other musicians, such as Mike Savino (aka Tall Tall Trees) on banjo and bass, and Nick Ogawa (aka Takenobu) on cello. Kishi Bashi's spectacular trademark violin soundscapes are still an essential component of his sound, but the focus of Omoiyari is centered squarely on it's songs. While the theme of Omoiyari is rooted in 1940s America, the album's message is timeless. In exploring the emotional lives of the innocent Japanese-Americans who were unjustly incarcerated, Kishi Bashi hopes to nurture a sense of empathy, or omoiyari, in all who hear the album.
Ida Mae's magic lies in the sensuous dovetailing of two voices and the intimacy of their songs. Their chemistry on stage isn t just a dramatic pose and is a truly captivating sight to behold. Hailing from Norwich and born out of Kill It Kid who established their credentials in the British Music indie Rock world, Chris and Stephanie present themselves as a sensual version of White Stripes meets Civil Wars meets XX. Singing together, the couple have an unusual which-is- which dynamic.